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Trixie's Find

By skelmach
Created: 2021-07-16 21:31:33
Updated: 2021-01-27 00:30:44
Expiry: Never

  1. >having thoroughly made a fool of herself (in Boast Busters), Trixie has left ponyville to find her luck elsewhere
  2. >soon money is running low, and she decides to go out into the wilderness to maybe find some treasure to sell
  3. >or at least some berries to have for lunch, but it can't hurt to be hopeful, right?
  4. >after a while she actually finds a hidden cave that looks promising and ventures into it
  5. >cobwebs everywhere, but no signs of dangerous creatures or bandits
  6. >reaching the bottom end, the walls and floor are adorned with symbols never seen before
  7. >at the center, burnt-down candles encircle an object, which much like the rest of the room and cave is obscured by cobwebs
  8. >a split second later she realizes what it is and recoils in shock
  9. >a pony body, sitting propped up by some pillows, not moving and making no noise
  10. >she eventually gets over her fear and comes closer
  11. >brushing aside the webs by hoof, she notices some things
  12. >it's a unicorn stallion, with a vacant expression on his face and colorless eyes staring idly ahead
  13. >his body shows no injury and is slightly warm (moreso than the cave), implying that whoever this is isn't dead (or worse yet, sacrificed) but in a coma
  14. >however, the cobwebs imply that he has been there for a while, and yet he doesn't show signs of starvation or dehydration
  15. >he isn't breathing either, but putting her head ti his chest she senses a faint, steady heartbeat
  16. >doesn't want to just let him stay in that old cave, so she carefully takes him, loads him onto her back and carries him out of that cave so she can care for him in her wagon
  17.  
  18. >once out at sunlight, his fur color is more lively than in the gloomy cave, but the colorlessness of the eyes remains
  19. >she carries him home, opens up the wagon doors and puts the body down on the bed
  20. >over the next couple of days, she tries all all conceivable methods to wake him up
  21. >as futile and unlikely as they seem, she begins with attempting simple things, such as yelling, shaking him, and the classic vial of smelling salts
  22. >she even even tries giving him a whiff of her self-made food (made as nicely as she's able to, so not really that impressive), but none of it elucidates any reaction
  23. >it's time for new measures
  24. >from amidst the multitudinous items littering her wagon, she retrieves the only book in her sparsely equipped home library that can serve as some sort of medical compendium
  25. >an old, tattered copy of the grimoire Quackery And Quintessence, acquired for fairly cheap years ago and source of many of magical tricks in the stage show
  26. >it's got everything from magical spells, tricks and incantations to alchemical recipes, wisdoms, mystical tales and all sorts of other gubbins
  27. >among its pages, many of which are lined with notes and comments from Trixie and the previous owners, and interspersed by hoof-drawn papers and pages torn from other books, she hopes to find a cure for the unkown pony's disposition
  28. >the following weeks are filled with reading, pondering and note taking, but most of all the casting of spells, brewing of brews, chanting of chants, taking of naps and other activities
  29. >by the end, the Perplexed and Exhausted Trixie has not reached her goal
  30. >wake up spells were without effect, mind reading failed, not having produced a single thought or even snippet of a dream, the potions had shown none of the desired effect at all and all the dancing and chanting of the last days, albeit limited by the confines of the wagon, had just made her tired
  31. >the last straw broke when the ancient method of turning him off and on again (performed via a sleep spell followed by a wake spell) proved just as futile as the rest
  32. >at that point, she gave up, put the body into a corner and laid her distraught self onto the bed, facing the unfixable
  33. >her subject doesn't look all that good either, his fur is ruffled and most of all he now was purple, which in turn reminds Trixie of that accursed Twilight Sparkle who had brought her into this dilemma in the first place
  34.  
  35. >Trixie continues her lonesome traveling
  36. >having given up in fixing him, the unfortunate body becomes almost like a part of her wagon's furniture
  37. >he is now usually seated in the corner, wearing Trixie's stage clothes which both hides him and gives a more proper appearance
  38. >sometimes she'll even take him into bed with her
  39. >not for anything inappropriate of course, just a bit of companionship through cold and lonely nights
  40. >she indeed is quite lonely by now, limiting interactions with others to the bare minimum, not even doing shows anymore
  41. >after all the failed attempts and being reminded of Twilight, she's made the realization that she couldn't ask for help, and maybe she shouldn't even be seen by other ponies anymore
  42. >not in case the disaster in ponyville has made the rounds, but for a far more serious risk
  43. >to anyone, and that included the law, it would look like she'd captured a poor citizen of Equestria and used his helpless body as a mix of target dummy for all sorts of spells and alchemical concoctions
  44. >"But constable, I didn't try the pages that had too many pentagrams" isn't gonna cut it if she wants to continue her life unpunished
  45. >to make things worse, over time these worries even start to give her horrible nightmares
  46. >more than once she awakes sweaty and with her heart pounding, to find that her neck is indeed still in one piece and neither sucked dry nor torn out by the innocent pony sat in the corner
  47. >it's clear: she has to get rid of this problem, and soon enough the opportunity does actually present itself
  48.  
  49. >one day, distant clip-clop sounds from the way behind her rouse her out of yer thoughts
  50. >the road has just done a bend around a fairly steep hill, so she cannot yet see the source of the racket
  51. >but without doubt, the hoofsteps are accompanied by the metallic clanking noise of armor
  52. >"This is it.", Trixie notes with sad resignation, "They've got me."
  53. >with a steep incline on one side and open grasslands on the other, fleeing (especially with her wagon in tow) is out of the question, so she just waits for the inevitable
  54. >but how relieved is she when, instead of the royal guard, a far more curious sight emerges from around the hill
  55. >at first it is only two slightly rusted, but heavy pieces of armor, seemingly moving all on their own
  56. >this isn't the first time she's seen those, and sure enough the wagon they're pulling follows behind them
  57.  
  58. >the traveling merchant has already identified Trixie from afar as well, and shortly after the armor pieces cease their movement as the noticably larger, red painted wagon (more of a stagecoach, to be exact) stops next to hers
  59. >"Oddie's Odd Odds and Ends" reads the wooden arched sign that adorns the top of the wagon's roof
  60. >the pony who was still sitting at the driver's seat now just jumps off
  61. >"Trixie, isn't it? So nice to see you!" she exclaims, and without waiting for an answer follows up "Hold on just a minute" as she pulls a leaver
  62. >at that, the sides and back of the wagon jump open into a horizontal position, making for impromptu desks
  63. >she enters the wagon through a door behind her, and rummages around in it
  64. >seconds later, the counters are laden with what is truly a feast for the eyes and inquisitive minds
  65. >all sorts of curiosities and magical trinkets, peculiar tools, strange foodstuffs and boxes that contain who-knows-what pile on the folded out boards
  66. >some objects appear new, pining for the viewers attention with their shiny surfaces, whereas most others look old, like they've been through a lot and maybe aren't being sold for the first time
  67. >the seemingly most normal, even if a bit worn, item is a gumball machine that stands its own little countertop
  68. >but on the second look, behind the glass sphere with the golden logo "Deus Ex Machina" hardly any of the balls are actual gumballs, and instead the contents, although their containers are all spherical in nature, easily match the other items on display in terms of unfathomable variety
  69. >"So, anything caught your eye? Or shall I maybe show you some of my newest additions?" the merchant pony's voice pulls Trixie out of her astonished ogling
  70.  
  71. >"What? Oh, right. Sure!" Trixie replies, still half absent minded
  72. >Oddie immediately springs into action, picking out certain items one after the other
  73. >"Here, look at this!" she holds up a flat, wooden case
  74. "What's in there?"
  75. >"oh you'll see" she opens the case, inside are some little round, brown nuts
  76. >suddenly one jumps up, and steadily continues its skyward trajectory before Oddie plucks it out of the air with her magic, enclosing it in the container again
  77. >"Anti-gravitational jumping beans, the newest in pointless magic. Not interested? Don't worry, I have plenty more"
  78. >she wastes no time in showing off more goods with an inspiring enthusiasm
  79. >A collection of five beautiful quill pens in different colors, each came from a different pegasus, all five made in a renowned Cloudsdale manufactory
  80. >An antique dog bowl with log-effect exterior, blue glazed interior and golden rim, for the most discerning of canines
  81. >flea powder. Just add water, and there'll be plenty of lively little fleas in no time!
  82. >the horseshoe that breathes, at least that's what the box claims
  83. >"And this one here, it's brilliant! Got it in just the other day."
  84. "It's a can opener." Trixie observes, somewhat puzzled
  85. >"A magical can opener. When you go the other way, the can seals again!... Wait, is something wrong? You didn't even react at all"
  86. >avoiding her gaze and uncertainly shifting from one hoof to the other, Trixie finally manages to get word out
  87. "Look, Odilia. There's... something Trixie... I have to show you. In my wagon"
  88. >her opposite raises an eyebrow, the big eyes amplified by the glasses in front of them
  89. >"Alright, what is it?"
  90. "...It... is strange. Very strange. I was hoping we could work out some kind of deal. Promise you won't be spooked or weirded out or anything?"

Trixie's Find

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