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9086 52.03 KB 1046
[/irt/] Minder of the Acapella Triplets - Part 1 (09/08/21)
By TypingFuriouslyCreated: 2021-09-08 12:58:47
Expiry: Never
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1.
>Bills.
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>Bills.
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>Mortgage.
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>Man, growing up wasn't.. well. Anything like how they said it'd be in school.
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>Youth wasn't the best time for you either, despite the common saying.
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>You didn't exactly figure trying to hold a household together, giving up school to work and managing
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your triple threat of triplets would be The Best Time of Your Life.
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>The armchair creaks beneath you as you shift your weight, the old springs groaning in chorus.
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10.
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>On the mantlepiece, a framed photo sits.
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>It was taken back at the lake house.
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>You're all on the decking that morphed into a pier somewhere along the way.
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>Your old man is smiling proudly.
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>Your mom is smirking, both arms draped around him.
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>They don't really look like how your memory tells you they look.
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>To their right you stand, fifteen and happy, three wildly different girls dangling off of you.
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>Sonata is hidden behind your leg, peering shyly at the camera.
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>Aria is dangling a foot off the floor, grinning, holding onto your arm which is flexing for the camera.
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>Adagio is sat on your shoulders, smirking like mom and flashing dual peace signs.
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>You'd never figure they were a bundle deal unless someone told you.
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>Tick. Tick. Tick. Tick.
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>You blink tiredly at the clock.
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>You used to think that time would just... stop.
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>The hands on the clock would freeze.
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>And they'd start back up when your folks came through the door again.
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>Dad would loudly say they were back. He'd complain about traffic. Maybe he'd bring pizzas.
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>The girls would line up to greet them like they always did.
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>Mom would be pulling off her heels and plant kisses on your sisters foreheads, hugging her little mermaids tight.
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>She'd kiss your forehead, tell you she was so proud you'd watched them whilst they got back from work.
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>You'd all head into the kitchen and maybe you'd all forgo plates.
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>Aria would take off the toppings she hated, Sonata would quickly add them to her slices, and Adagio would
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try to lecture them on not being picky eaters.
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>She'd sit up straighter, and do her best adult impression.
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>Then you'd all watch a movie.
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>Dad and mom on the couch, you in your chair.
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>The girls all laid out in a food coma on the rug.
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>No shocker that didn't happen.
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>Would've been nice though.
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>It's coming up on 7am.
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>The girls don't like leaving the house, but it's good to keep them in a typical college student routine.
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>Sure, they get all their classes online, and their grades are great.
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>But you try and sit them in anything with wheels and they lose it.
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>Aria still just shuts down occasionally, vehicle or no vehicle.
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>You're still trying to figure out all the triggers for that.
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>Her therapist has been helpful, but there's only so hard she can go on that front.
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>You rub your fingers on your eyelids, trying to ease the burning.
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>You're not gonna cry, you're just tired.
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>Works been rough this week, and you barely managed to get the stupid fucking redesign pushed through to live.
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>But you managed.
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>You always manage.
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>Rising slowly, you set about starting the day before you need to get some sleep.
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"Girls! Up! We gotta get this thing going, let's gooooo!" you yell, clapping your hands as you ascend the stairs.
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>At the head of the stairs you turn left, working your way back into your home.
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>The sun's already starting to shine through the window at the end of the hall.
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>You rap your knuckles on Aria's door.
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"Aria, hon, gotta get up."
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>"mmrmrmrm?"
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"Yeah, I know - it sucks. Up." You order, clapping your hands softly again.
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>She's slow to rise, but the lowest risk of falling back asleep.
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>You still leave her door ajar, light piercing into the gloom.
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>Adagio steps out of her room as you start knocking on Sonata's door.
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>She's dressed, with her hair brushed.
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>You can't tell if she's slept.
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>This is where it gets tricky.
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"Morning, Dagi'." You offer.
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>The eldest of the Acapella triplets nods quickly as she passes by.
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>She rushes around now.
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>Anything to avoid being anywhere too long, almost.
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"Yeeeeeeeah." Its more of a sigh, breath leaving than actual speech.
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>You're so fucking tired.
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>Doesn't matter, you all have jobs to do.
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"Sonata!" You hammer the door with your fist. Sonata's locked her room up tight, and you know for a fact she was up late - early?
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>Thump.
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>You pause.
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>Footsteps.
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>A deadbolt slides back.
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>Then another.
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>The door opens a crack, and you can see the dull glow of a monitor.
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>Sonata's wrapped in her comforter.
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>The room reeks, earthy and warrant-inducing.
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>Her ponytail is either holding the scrunchie hostage, or the other way around.
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"Goooooooood morning, sunshine."
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>"What?" She asks, eyes bloodshot and shadowed.
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>You tense your leg, pressing your foot into the carpet hard.
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"You have classes in just over an hour."
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>"I'm ahe-" she starts.
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>Reaching out, you wrap your fingers around the edge of the door.
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>You gently push it further open before she can slam it shut and slot the deadbolts home again.
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"You may be ahead, but your lecturers do call me to keep me updated."
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>Her face clouds.
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>Yeah, sorry kid.
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>No sleeping the day away today.
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>You got a call the other week, saying she hadn't virtually attended a single lecture in the span of a fortnight.
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>Her grades were still fine.
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>Great, even, you were assured.
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>Scholarship wasn't going anywhere.
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>But she can't just get high and
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>You don't even know.
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>"I don't see the problem if I'm still doing better than anyone else."
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>Pain in your lip tells you you're biting it.
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>You nod, as if considering this.
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"Problem is you're hitting tokes --" she laughs. It's not the same laugh she used to have.
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>It's harsher.
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>So what if you don't get the terminology?
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"Sonata. You're doing great academically, but it doesn't look good that you don't attend."
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>She's not even looking at you, staring at the floor by your feet.
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"What if they take your scholarship away? There could be kids who need that money. Kids who show up. Who do you think they'll choose?"
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>Still nothing.
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>You want to slam the door.
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>Or stomp.
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>Something that'll get her to actually LISTEN and
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>You don't know.
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>Stop it seeming like you've fucked it all up.
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>Leaning into her sight, you force her to meet your eyes.
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>The purple almost looks blue compared to her sclera.
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>She hit it hard last night.
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>You have some bets on how she gets her supply.
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>It's almost certain given she never leaves the house.
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>New tactic.
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"Please." She blinks, and her facade breaks a bit. "Just try today for me?"
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>She gnaws a lip, adding to the raised ridges along it.
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>"... can we have pizza for dinner?"
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>That's it?
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>You don't even realise you're laughing until she's leaning back and staring at you.
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>Dragging a hand over your face, you nod.
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"Yeah, we can have pizza. You get showered, eat actual breakfast and attend your.."
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>You cast your mind back to the highlighted timetable the university sent you.
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>Today was .. Wednesday?
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>Sonata has a networking lab, mathematics lecture and a call with her mentor.
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"You attend all three of your classes today and we can have pizza."
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>Fixing you with a curious look, she sticks out her hand.
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>You shake it, and hold on as she tries to pull away.
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"And no sparking it up."
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>Her eyes move in a way that tells you she's already finding a loophole in your words.
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>Her hand shakes yours, and you let it go.
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>You let the entire thing go.
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>You've done what you can for the minute.
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>Need to pick your battles when you can.
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>Sonata heads down the hall to the bathroom, and you lean back on the wall.
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>Feels like its the only thing keeping you upright sometimes.
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>Deep breath and go.
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>You push off the wall.
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>You poke your head into Aria's room.
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>She's sat on the edge of the bed, blinking owlishly as she sits in the sliver of light.
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"Sleep okay?"
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>"Okay enough."
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"Any dreams?" You try to sound casual.
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>She shakes her head, hair a bird's nest.
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>Aria's dreams are usually unpleasant.
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>Occasionally she'll wake up crying.
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>On those occasions, she won't go back to sleep unless Adaggio and Sonata sleep in the same bed.
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>Holding back your sigh of relief, you offer a smile.
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"Good. But now it's time for a much more serious question..."
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>She smiles softly, and it doesn't quite reach her eyes.
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>"Poptarts?"
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"Plural this morning, huh?"
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>"Yes, please."
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>Making a face, you tilt your head this way and that before snapping your fingers.
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"I do believe we have a very fine vintage of cookie dough in the cellar, madame."
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>She snorts.
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>You'd do anything to keep her like that.
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>Happy.
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>"Cookie dough is great, Anon."
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>You clap the doorframe twice before heading off.
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>Adagio is sat in the kitchen.
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>Or, more precisely, Adagio is sat on the island countertop.
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>She has an earbud in one ear, and she's idly tapping a boot on the cabinet door.
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>The boots really help bring out the overall goth look she's working for.
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>You have been fairly clear on not sitting on the counter, or scuffing the woodwork.
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>Don't rise to it.
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>You walk by her, over to the toaster.
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"Did you manage to get some sleep?"
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>She surprises you by actually answering.
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>"Yes."
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"Well. Good." You're not sure what else to say besides.
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>You lean against the countertop.
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>By the time you look at her, she's shifted slightly to stare away from you.
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>The earbud has transferred across to block you out.
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>You wait for the Tarts to Pop.
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>It's almost a relief when it breaks the silence.
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>You fill a glass with whole milk.
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>Aria's morning doses need something fatty and calorie-dense to bind to.
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>You close your eyes for a moment.
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>You're already on a roll, why not push your luck?
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>Setting the plate and glass next to her, you shake her bare shoulder lightly.
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>The way she jumps, it's like you hit her with a taser.
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"Hey, sorry. Can you run these up to your sister for me?"
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>You see her jaw work.
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>She takes both without a word and storms off.
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"Thank you," you call after her.
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>Her stomping up the central stairway is the only response you get.
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>The sink is empty.
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>Fuck.
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>Did you interrupt her breakfast?
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>Second verse same as the first, fuck.
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>You make up a bowl of that trendy cereal she likes.
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>Which winds up emptying the box.
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>You add "lady in cool hat cereal" to the shopping list.
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>You'll eat later.
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>A quick peek into Aria's room leads to shooing Sonata away from the half-eaten pop tarts.
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>You glance into Aria's room as you crest the stairs.
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>She's opened the curtains, made the bed, and looks like she collapsed into her desk chair right after.
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>If Aria is the definition of tired, Sonata is the poster child for relaxed.
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>She's plucking at Aria's breakfast.
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>There's gotta be at least an entire poptart left here.
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>It's hard to say how much was Aria, and how much was Sonata.
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>She props herself up when she sees you have cereal.
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"I know its clearly not enough to stop you, but this is your sister's." She at least has the decency to look slightly guilty.
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>You set the cereal on the desk, outside of Sonata's reach.
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"Hon," you start, kneeling in front of Aria."You know you need to eat with your meds."
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>"I'm not even that hungry, it's fine."
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>"See? Itsh-"
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"Eat or talk, Sonata."
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>Sonata weighs the choice, opting to chew.
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>You check Aria's pill planner.
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>She still hasn't taken them.
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"You know what I'm gonna say."
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>"I know." She nods, and its such a heavy motion.
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>You want to give her a hug, but she needs to stick to the medicine.
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"How come you didn't eat both? You asked for two." You try, peering up at her.
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>She looks so tired.
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"I had those imported all the way from the store, rush order, you know?" You try for a smirk. She manages a quirk of the lip.
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>It's not all that convincing.
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>She still hasn't showered, and her hair has a slight sheen to it.
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>"I wanted two. I just started feeling nauseous."
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>Your fucking heart.
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>"Sonny's helping."
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>"Shee? I'm--"
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"On your way to your room." You gesture for her to leave with a thumb.
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>She grumbles, rising slowly and shuffling out.
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>You wait a minute, before retrieving the plate.
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>You put on your best big brother smile.
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"How's this for a deal. You eat HALF of this poptart," you wiggle the plate.
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>Sonata really mangled this fucking pop tart.
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>It's really a hard sell.
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"...and drink all your milk?"
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>You'd swear you asked her to eat a pinecone.
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"We'll do pizza tonight. And a movie. Your pick."
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>"Sonny already said we're having pizza."
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>Shit.
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"Well, the movie part still stands."
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>Now you have her attention.
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>She's considering it, staring past you a little ways.
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>"My pick? Whatever I want?"
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"Hell yes whatever you want. You can put on the sappiest, cheesiest romcom you want and I will sit through the credits, too."
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>A smile creeps onto her face.
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"If you eat your breakfast and take your meds for me, okay?"
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>You set the plate on the desk in front of her.
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"I'll be back to check up on you in a sec'."
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>You lean in as you rise to your feet, and kiss her forehead.
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>You know she prefers to eat without an audience.
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>Besides, this cereal isn't going to walk to Adagio's room by itself.
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>Adagio's door is closed.
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>This isn't abnormal.
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>She likes her space.
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>You listen for a second, and hear various music tracks starting before being skipped.
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>It was one of the better methods for determining your eldest little sister's moods.
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>You knock once.
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>The playlist stops skipping, going entirely silent.
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"Dagi, I'm leaving you some cereal. Grab it before Miss Munchies gets her mitts on it, please."
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>Speaking of which.
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>Sonata's idly scrolling through some source code when you stroll in to her room.
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>She's opened the window and lit some incense, but the weed smell is still going strong.
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"How many times do we get into this?" you ask, sitting on her bed.
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>It's unmade. Naturally.
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>She holds up a finger, blinking.
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>She types, waits, and nods.
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>"Get into what now?"
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"Eating Aria's food."
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>She doesn't react, not really.
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>"I don't know." She offers.
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"I'm pretty sure we settled on not doing that."
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>You lean forward slightly.
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>At least she actually deigns to respond, unlike Adagio.
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>"Did we?"
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"You know we did. I know you remember conversations like that -" you snap your fingers. "- stoned or not."
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>Her fingers leave the keyboard.
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>They drum the desk, and she starts fidgeting with a pen.
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>"She doesn't like asking for food and wasting it."
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>You look up at the ceiling.
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>There's that burning again.
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>You know she's not wrong.
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>You pat the bed. Or try to, there's a particularly large mass of several blankets in the way.
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"C'mere."
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>She makes a face, weighing it up again.
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>Her ponytail sways slightly as she wriggles, before she joins you.
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>You sling an arm around her shoulders, squeezing her tightly to your side.
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"I know you're trying to help her out, Sonny."
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>"She's getting better, right?" And there's just raw hope in the question.
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>You purse your lips.
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>You don't know.
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>Story of your fucking life since
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>Since then.
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>It was easier when it was all fresh, and there were strings of lawyers and extended family coming in equal measure.
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>Offering in very kind terms to split you all up.
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"You need to get ready for class." That's the best you can offer.
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>She nods, squeezing you quickly and returning to her work.
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>By the time you return to Aria, she's managed another half of the poptart.
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>The glass is a quarter full.
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>Or three quarters empty.
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>Perspective.
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>The day just started and she looks wiped.
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>She took her meds, at least.
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>Despite this, she hasn't really moved from the same position she was in when you were shooing off Sonata.
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"You think you're up to doing some learning today?"
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>You already know the answer.
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>Mornings like these, she just needs to be allowed to ride it out.
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>She shakes her head.
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"Learning is for nerds, anyway. How about we get you out in the garden for a bit?"
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>She glances out the window, squinting at the sun.
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>You're already mentally resigning yourself to another Aria Bed Day.
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>"Okay."
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>Well shit, maybe your luck is on the up.
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>One fluffy dressing gown and a VERY fashionable pair of bunny slippers later, you're both stood in the garden.
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>You just can't find the time to maintain it.
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>Too many plates to keep spinning.
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>The garden is fairly overgrown.
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>Maybe that adds some charm to it.
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>Wildflowers are better than no flowers, you'd figured.
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>She sits herself down heavily on the bench by the birdbath.
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>As heavily as she can, anyway.
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>She's so frail.
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>If any birds wanted to do some bathing, they'd have to wait for rain or stare sadly at the fixture.
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>You don't talk.
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>You sit on one side of the bench, Aria on the other and you both pretend this is absolutely normal.
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>This is fine.
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>It doesn't help that being out in the sun just drives home how pale she's gotten.
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>Sonata's similar, but she's nearly nocturnal.
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>You tuck your feet under the bench.
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>Something skitters back on the stonework.
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>Aria's half-dazed, but watches as you run your hand around underneath the bench.
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>Wait, there
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>One of Adagio's notebooks?
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>She usually keeps these things locked down.
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361.
"So are we going to take a look or?" You wave the notepad back and forth.
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>You are absolutely taking a look.
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>This is just seeing if Aria is going to be an accessory to mental breaking and entering.
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>Aria plays with a lone twintail before giving a small nod.
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>She almost looks like herself.
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>How she used to be.
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367.
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>You crack open the cover.
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>It's a mix of sheet music and lyrics.
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>Some poems, for good measure.
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>Sketches.
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"Damn, no juicy gossip."
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>Aria snorts.
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>You're about to close it when your eyes happen on an interesting title.
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>"Of All the Loves To Have"
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>Adagio has a crush?
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"Adagio has a crush."
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>You don't mean to whisper, but you are rummaging through one of her personal notebooks.
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>This snaps some focus into Aria.
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>She leans over to read with you.
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>The theme is..
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>You're not entirely sure?
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>It's almost pining.
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>The way she captures whoever this boy is, it's damning and celebratory all at once.
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"Did you know that she was interested in anyone?"
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>Aria shakes her head.
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>You reread it. You tap one verse in particular, drawing attention to it.
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"When all else must go,
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you are all I wish to know,
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Let it be so,
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Let it be so."
-
393.
>She really likes this boy.
-
394.
-
395.
>You and Aria workshop for a while, trying to figure out where Adagio would even meet someone.
-
396.
"Kids do online dating a bunch now," Aria is polite enough to let you sound ancient. "Maybe she met some digital penpal?"
-
397.
>You're almost asking her to deny it.
-
398.
>The idea of her talking to randoms on the internet, in that way is just...
-
399.
>It worries you.
-
400.
>It's normal, older brothers get to worry about these things.
-
401.
"Maybe she met someone out on one of her walks??"
-
402.
>This bothers you for some reason.
-
403.
>Aria just hums.
-
404.
"Let me guess. You're able to see through that weird triplet link you three have."
-
405.
>She looks at you for a moment, and snorts.
-
406.
>"Kinda."
-
407.
"You know something I don't." It's less a question, more a statement.
-
408.
>"Mmm." She answers.
-
409.
>She's either being deliberately noncommital
-
410.
>Or she's just getting tired again.
-
411.
"Well, madame, I let you out on day release for good behaviour." You gesture about to the garden with a sweeping motion.
-
412.
"But if you won't co-operate, I shall simply send you to your bed to rest until this evening."
-
413.
>She gives a token effort smile, and just hugs you.
-
414.
>You sit like that for a minute.
-
415.
>Then you stand, hauling her up with you, and letting her lean as much as she needs.
-
416.
"Let's get you back to bed."
-
417.
>You tuck the notebook into your back pocket and head inside.
-
418.
>And you try not to think about this mysterious muse your sister's taken up with.
-
419.
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
-
420.
"Okay, you have everything you need now?"
-
421.
>Aria's tucked up snug in bed again.
-
422.
>She looks at her bedside, making sure she has her water, and her "take-as-needed"s.
-
423.
>She nods, before burrowing deeper into the small cocoon she's made for herself.
-
424.
>There's that familiar tension creeping into your neck.
-
425.
>But there's a new pressure around your forehead.
-
426.
>You try to think back to when you last actually slept.
-
427.
>The armchair didn't count.
-
428.
>A day or two.
-
429.
>"I'm good. You should sleep, too."
-
430.
"I will, eventually."
-
431.
>"Nooooo, now." She yawns.
-
432.
"Trying to convince me to act as a glorified teddy bear?"
-
433.
>"Maybe." She admits.
-
434.
>You tuck the comforter under her tighter, and poke her nose.
-
435.
>She makes a show of looking annoyed, before snorting.
-
436.
"You need me, you tell Sonata to come get me, ok?"
-
437.
>She yawns again, nodding.
-
438.
>"Love you, Anon." She mutters, closing her eyes as her dosage takes her.
-
439.
"I love *you*, Aria."
-
440.
>You hope she dreams of nothing at all.
-
441.
-
442.
>A glance down the hall shows your tribute of trendy cereal was accepted.
-
443.
>That's all three fed, and sent to class as best they can be for the day.
-
444.
>You continue back down the hall.
-
445.
>A glance to the front door over the bannister tells you that there's mail that needs picking up.
-
446.
>You're sure it'll still be there when you wake up.
-
447.
>You pass the main bathroom.
-
448.
>You pass the study.
-
449.
>You continue right on down to the door at opposite end of the upper level.
-
450.
-
451.
>The door to "your" room closes.
-
452.
>The air is stale here.
-
453.
>Trapped perfume and cologne.
-
454.
>You keep all your things in your actual room, but you sleep here.
-
455.
>The girls don't come in. You hate that you need that distance sometimes.
-
456.
>Aria doesn't even acknowledge the room at the end of the hall exists.
-
457.
>You stumble into the en-suite and slap at the wall for the lights.
-
458.
-
459.
>Shit you need a nap.
-
460.
>Or a coma.
-
461.
>You peel your shirt off - how long have you been wearing this?
-
462.
>Since you started the redesign? Yesterday?
-
463.
>A lazy toss lands it in (on) the overflowing hamper.
-
464.
>You'll get Adagio to help do a few loads of laundry as you sort dinner.
-
465.
>It's joined by your jeans after some careful hopping.
-
466.
>Lack of sleep does not for good balance make, or something like that.
-
467.
-
468.
-
469.
>You twist the faucet and start splashing your face with tepid water.
-
470.
>Then hot water.
-
471.
>Then as hot as you can take.
-
472.
>And a little bit after that.
-
473.
>When you're as awake as you feel you can get, you brush your teeth.
-
474.
>You could use a shave.
-
475.
>You could use a haircut.
-
476.
>But for right now you need to just be unconscious.
-
477.
-
478.
>You paw at the switch as you leave the en suite, and stagger to the four poster bed.
-
479.
>Six hours should be enough, you reason, winding the battered alarm clock.
-
480.
>You swear dad used to launch the poor fucking thing.
-
481.
>You'd wake up every Saturday to the clanging of alarm bells, then a solid thump.
-
482.
>Dragging the covers over yourself, bundling up tightly, you can empathise.
-
483.
>It's a comfy bed.
-
484.
>If keeping your eyes open burned, closing them hurt worse.
-
485.
>Inhale for four.
-
486.
>Hold for six.
-
487.
>Exhale for four.
-
488.
>Inhale for four, hold for six, exhale for four.
-
489.
>Inhale four, hold six, exhale four.
-
490.
>Inhale
-
491.
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
-
492.
>The alarm screams.
-
493.
>You're lying facedown, sprawled across the bed.
-
494.
>You swipe at the source of the sound for a while.
-
495.
>There's a thud, and the alarm goes silent.
-
496.
>"Having trouble, huh?"
-
497.
-
498.
>That voice.
-
499.
>You know better than to open your eyes, to risk waking up.
-
500.
"I'm in over my head."
-
501.
>"How's that?"
-
502.
>A weight settles into the bed next to you, and a hand rests on your shoulder.
-
503.
>Even facedown, you smell the scent of shaving cream and aftershave.
-
504.
"It all always feels like its minutes from falling apart." You admit.
-
505.
>Even in a dream, you're struggling to keep from choking up.
-
506.
"I can't look after them. Not the way they deserve."
-
507.
>"Well, let me ask you this: Do you love them?"
-
508.
>You hiccup.
-
509.
>You're such a damn child.
-
510.
>It's a dream.
-
511.
>You can break down here.
-
512.
>The hand on your shoulder moves in lazy, soothing circles.
-
513.
"More than anything."
-
514.
>"How do you figure being loved more than anything and cared for isn't enough?"
-
515.
>The mattress muffles the wet laugh you let out.
-
516.
"Does sound stupid when you put it like that, pops."
-
517.
>"Not stupid, just overly critical, son. You've always been your worst critic."
-
518.
>You lay there, eyes shut tight and focusing on the circular motion.
-
519.
>It's fake, but its nice.
-
520.
"Did it hurt?" You manage.
-
521.
>His laugh fills the room, rich and warm. It shakes the bed slightly, and he claps you on the shoulder.
-
522.
>"For such a clever boy, you sure ask the same question a bunch."
-
523.
"I know."
-
524.
>"Get some rest, son. Wash your face. Dry your tears." The weight shifts, and the doorway creaks open.
-
525.
>It's so fucking weak. But you have to try.
-
526.
"Stay? Just a little longer?"
-
527.
>"I think we're all outta time for right now, my bright boy." Two thuds of a hand like a spade slapping the doorframe.
-
528.
>Then the alarm screams again, and this time, you're on your own to silence it.
-
529.
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
-
530.
>You do wash your face, cold water to take the puffy swelling in your eyes down some.
-
531.
>Some exploration of the laundry pile you dumped onto the floor yields some baggy beach shorts and an old band shirt.
-
532.
>Sniff test passed, so what if they're creased.
-
533.
>The headache creeping up your neck is... gone?
-
534.
>Weird.
-
535.
>It's just past 3pm, and whilst you're still tired it's much better than earlier.
-
536.
>Aria's fast asleep still, thankfully.
-
537.
>Sonata's bouncing her head to something with a rapid beat as she follows along to a lecture.
-
538.
>Giving the air a cursory sniff, she's stuck to the deal.
-
539.
>So far.
-
540.
>Adagio's door is ajar, and she's sat on the floor, alternating between listening to a track and writing.
-
541.
>You knock twice on the doorway.
-
542.
"Hey, mind if I stop in a sec'?" You ask.
-
543.
>She doesn't rise to slam the door in your face, and that's usually as much an invitation as you get.
-
544.
>You sit down opposite her on the floor.
-
545.
"So." You start, glancing about. You don't often get to see what she gets up to in here. "Boys."
-
546.
>You shoot her what you think is a knowing look.
-
547.
>It's about as lame an opener as you can imagine.
-
548.
>"..What about them?"
-
549.
>She clicks her pen, and shuts her notepad.
-
550.
"Just gauging the scene. Seeing if there's anyone special you might be bringing back."
-
551.
>She stares at you.
-
552.
"Y'know. In the short-term future."
-
553.
>"You do realise I don't go outside?" She asks, running a hand through her hair.
-
554.
>The hand doesn't get far before getting tangled.
-
555.
>You could take a weedwhacker to her hair, and you'd come back with just a handle.
-
556.
"Well I hear a lot of kids do the online date thi--"
-
557.
>Okay, if looks could kill?
-
558.
>You'd be put in the family plot in seconds.
-
559.
>Shut that shit down.
-
560.
"Reading you loud and clear, shutting up."
-
561.
>You also sound like a fucking grandpa.
-
562.
>Weeeeeeeeeeeeeell back in DICKETY TWO, we used to know that what was good for the geese weren't too good for the gander.
-
563.
>That's how you sound.
-
564.
>Seriously.
-
565.
>Screw it.
-
566.
>Honesty's always served you well.
-
567.
"I just found one of your journals in the garden is all, when I was out there with Aria."
-
568.
>She looks like she's about to yell, jaw muscles tightening and working.
-
569.
>Then she looks surprised, and oddly relieved.
-
570.
>"You got her to go outside?"
-
571.
"Yeah just for a little bit, about 30 minutes or so."
-
572.
>She considers this, wrapping her arms around her knees.
-
573.
>You're not sure you strictly approve of the battered stockings.
-
574.
>Is it 'in' to have less clothes in your clothes by ripping holes out of them?
-
575.
"We sat down near the birdbath."
-
576.
>"The dry birdbath?" She asks, raising an eyebrow, letting her accent roll the 'r' in 'dry'.
-
577.
>You laugh, without meaning to.
-
578.
>She's always seen through your bullshit.
-
579.
"That'd be the one, yeah."
-
580.
>"The one you keep saying you'll manage, along with the rest of the garden?"
-
581.
>One of her shitkicker boots knocks your foot, playfully.
-
582.
>This is almost nice.
-
583.
>It's been a hot minute since you just sat and talked like this.
-
584.
>You relax in the moment for a bit.
-
585.
>"Your eyes are red."
-
586.
"Yeah, me and Sonata got suuuuuuuper far out, man."
-
587.
>As jokes go, it's painfully unfunny.
-
588.
>She rolls her eyes.
-
589.
>"You hate the smell."
-
590.
>She's not wrong on that account.
-
591.
>Sonata can rant on about "tone profiles" and "terpenes".
-
592.
>It still all smells the same to you.
-
593.
>You all have your coping mechanisms.
-
594.
"I'm sure there are people who hate the taste of beer, but they slug it back when they need to."
-
595.
>Talking like this feels good.
-
596.
>It was always like this back then.
-
597.
>Sonata and Aria were partners in crime.
-
598.
>But you and her stuck together, reigning them in.
-
599.
>That one time they decided they were opening a restaurant in the kitchen.
-
600.
>Fairly typical for kids.
-
601.
>Except they actually tried cooking with no experience.
-
602.
>You and Adagio had never cleaned faster in your lives.
-
603.
>There was no salvaging the saucepan.
-
604.
>The house stunk of burnt potatoes for a week.
-
605.
>Mom had come in, promising to teach them "the secret witchery of cooking".
-
606.
>"It's a hard-learned art, you know."
-
607.
>Then the mom-nod. The one that brooked no argument, because she was so CERTAIN.
-
608.
>Been a good bit since you were certain of damn near anything.
-
609.
>And it's not like certainty helped her out any, anyway.
-
610.
>You close your eyes.
-
611.
>Not cool.
-
612.
-
613.
>Pops had made a show of pretending to try the food.
-
614.
>Then he'd claimed to be dying.
-
615.
>It was simply too much, he'd said. Clutching at his throat.
-
616.
>Sonata and Aria had genuinely believed they'd killed him until he'd leapt back up, heaving them up.
-
617.
>Tears to laughing.
-
618.
>You wish you could do that.
-
619.
-
620.
>Adagio is looking over her knees at you.
-
621.
>You wonder if she remembers.
-
622.
>Your luck's mostly held today.
-
623.
>You rub a hand through your hair, grinning from the memory.
-
624.
"Hey, you remember that time--"
-
625.
>She stands. "I want my journal back."
-
626.
>Well.
-
627.
>You look up at her, nodding.
-
628.
>Still not a fan of discussing before.
-
629.
>That's okay.
-
630.
>It's all okay.
-
631.
>You don't need to discuss the past, especially when it gives you a great idea for later.
-
632.
"Of course, wasn't gonna keep it from you."
-
633.
>You reach for your back pocket.
-
634.
>Nada.
-
635.
>What?
-
636.
>OH! You were wearing different clothes earlier.
-
637.
"Hang on, I left it in my jean pocket."
-
638.
>"Agghhh," she groans, huffing. "Come on, up, we're getting it."
-
639.
>She pulls at your hands, trying to pull you into a standing position.
-
640.
>You don't let her see she's hardly moving you.
-
641.
>You got dad's muscle, she got mom's lack of it.
-
642.
"Alright, alright, easy."
-
643.
-
644.
>Standing, you can see clear over the top of the orange thicket of hair.
-
645.
>Combined with the boots, it serves less to make her seem taller and more to highlight how short she is.
-
646.
>You let her "push" you out into the hall, and back down towards your rooms.
-
647.
>"Move FASTER!"
-
648.
>She's in a hurry.
-
649.
"We have a connecting flight to my Cattlemen's? What's the rush?"
-
650.
>She stops pushing for a second, snapping "I just need it back."
-
651.
>Then it's right on back to the express trip down the hall.
-
652.
-
653.
"You know," You begin as you're pushed by the bathroom. "'Of All the Loves to Have' seemed pretty personal."
-
654.
>Nonchalance is your middle name.
-
655.
>The force at your back stops, leaving you both stood outside the closed study door.
-
656.
>You turn.
-
657.
>What little colour there is to her face has drained.
-
658.
>Though, saying that, her cheeks are flaring something fierce.
-
659.
>Bingo.
-
660.
"So am I going to get to meet this frustrating young man?" You ask, doing your best to look
-
661.
>Like a guardian?
-
662.
>Like the idea doesn't rub you the wrong way?
-
663.
>"NO! Well, it's - that's not even - Look, I --" She's falling over herself.
-
664.
>Times like these, you default to WDYTD&MWD
-
665.
>What Do You Think Dad & Mom Would Do?
-
666.
>Regardless, she won't look you in the eye.
-
667.
>She's also giving a tomato a run for its money.
-
668.
>Poor girl.
-
669.
"Easy, I won't push anymore, alright?"
-
670.
>You lean in, winking. "But I can't promise I'll be as fair to this young man. After all, he's got a high bar to clear."
-
671.
>You jab a thumb at yourself.
-
672.
"Can't just let any guy run off with my girl."
-
673.
>Adagio's mouth opens.
-
674.
>Closes.
-
675.
>Opens again.
-
676.
>Then she marches off back down the hall to her room.
-
677.
>She opens the door, steps inside, and shuts unexpectedly softly with a click.
-
678.
"So do you want your journal?!" You call after her, and wince.
-
679.
>You didn't mean to yell that loudly.
-
680.
>You're just surprised. You can never read her anymore.
-
681.
>Click.
-
682.
>Adagio's door opens.
-
683.
>A single hand pops out, middle finger raised.
-
684.
>Then the door slams shut after it.
-
685.
>Looks like you and this crush are in good company.
-
686.
>At least she didn't cuss you out beforehand.
-
687.
>Guess she's feeling sympathetic today.
-
688.
>Running a hand over your stubble, you stare after her.
-
689.
>You'll make up for it tonight.
-
690.
-
691.
>Sonata's on a video call with her tutor, but you let her know you're headed to the store.
-
692.
>She mouths "get chicken for the pizzas", giving you two thumbs up by way of encouragement.
-
693.
>You nod, waving as you head off again.
-
694.
>"Sorry, my brother just came by. So how is the grading weighted for that last lab in Nove--"
-
695.
>You're glad she has her education.
-
696.
>Anything you could give, you would for them.
-
697.
>But dropping out and coming home was one of the harder things you've done.
-
698.
>You head down the stairs, quickly losing the conversation.
-
699.
-
700.
>They all seemingly know it's pizza night.
-
701.
>Well.
-
702.
>Sonata squealed to Aria after your deal.
-
703.
>Adagio's always had the knack of knowing what's going on in the house.
-
704.
>Part of the fact she moves around so often and so quietly when she's not stomping or slamming.
-
705.
>Honestly, you get it.
-
706.
-
707.
>But what they don't know is you're pulling out all the stops.
-
708.
>You're going homemade on this.
-
709.
>Sort of.
-
710.
>Anon's secret recipe.
-
711.
>Just like nanna used to make, eh?
-
712.
>Your hand is doing the universal gesture of old country women who cook unholy amounts of good food, thumbpad to fingertips.
-
713.
>It may just be enough to get them involved.
-
714.
>Grabbing the shopping list off the fridge door, you head out into the downstairs hall.
-
715.
"I'm heading out!" You call up the stairs.
-
716.
>"'Kay!" Sonata yells back.
-
717.
>It's almost ritual.
-
718.
>Sonata sees you off, in whatever state she's in.
-
719.
>Aria's usually out for the count when you do your store runs.
-
720.
>Adagio ignores you half the time, and ignores everyone the other half.
-
721.
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
-
722.
>You climb up into the Ranger.
-
723.
>The white paint is covered by a fine layer of grime.
-
724.
>Mentally you toss it on the pile of "Shit To Get Done".
-
725.
>You have just enough time to beat the post-school rush.
-
726.
>The engine turns over easy enough, and you go through all your safety checks.
-
727.
>Seatbelt's fine.
-
728.
>Mirrors are in alignment, no worries there.
-
729.
>You back out of the drive and shift into first, pointing off townwards.
-
730.
>The radio quietly fills the car, almost overpowered by the soft roar of the engine.
-
731.
>"--Paradise. Been spending most our lives living in a --"
-
732.
>You tap the wheel in time when conditions allow. Usually on the long, mostly straight runs of tarmac.
-
733.
>On the horizon, you notice storm clouds gathering.
-
734.
>Fuck.
-
735.
>You have enough time, sure.
-
736.
>But if that storm comes straight in for town, Aria's going to have a rough night.
-
737.
>Ergo, you're all going to have a long one.
-
738.
>You kill the radio, and focus on the road.
-
739.
>And so the drive goes.
-
740.
-
741.
>For the past five years, you've come to the same store at the same time.
-
742.
>Wednesday, around 4pm.
-
743.
>Stockers is a family-owned place.
-
744.
>Mr and Mrs Stocker have been here since you were a kid.
-
745.
>They're the only place in town you know that gives out whatever stock they can't sell for free if the sell-by is coming up.
-
746.
>They're also the only place that sells that soda Adagio swears up and down she hates, but always seem to chug when you get it in.
-
747.
>There's an irony to the fact she loves firey ginger ale somewhere.
-
748.
>It's mostly dead in here.
-
749.
>You wave to Bulwark over in Loss Prevention, and he raises a hand to hail you.
-
750.
>"Acapella!" He strides over, clasping your forearm.
-
751.
>You've known Bulwark since you were kids, sort of.
-
752.
>You shared a bunch of classes in high school and that's when you actually got talking.
-
753.
>You, Vinyl and him bonded over the various reasons none of you headed off to college.
-
754.
>Or, in your case, your return trip from college.
-
755.
>They didn't hold it against your membership in the group.
-
756.
>Bulwark is a big guy, always hitting the gym and the mean cruiser bike out front is his baby.
-
757.
>You used to ride together for a bit, on shitty two strokes that could barely get up to speed back when you were younger.
-
758.
"Hey, Bul'."
-
759.
>"Here for the weekly?" He asks, and its a song you both know.
-
760.
"Yeah, might need to pick up a few creature comforts on top, given that storm's rolling in."
-
761.
>He nods sympathetically.
-
762.
>He knows the story.
-
763.
>"Hey, I'll get Vinyl over on an empty checkout when you're ready."
-
764.
>They're good people down this way.
-
765.
>You don't know if you'd have managed as well if it weren't for the small town mentality.
-
766.
>People here looked after their own.
-
767.
"Thanks, Bul'."
-
768.
>"No problem, man. And hey," He's pointing a ringed finger at you. "A couple of us were thinking of hitting Clover's on Friday."
-
769.
"Like who?"
-
770.
>"Me and Scratch are givens. May see if we can lure Octavia out, I'm sure she'll find it --"
-
771.
>He scrunches his nose, adopting a look of utmost snobbery.
-
772.
>"--positively disgusting. It's such a DIVE."
-
773.
>The guy can't do accents to save his life, but he has her mannerisms down pat.
-
774.
>You try to look like you're seriously considering it.
-
775.
>Its been years since you've felt like going out.
-
776.
>Since you felt it'd be fair TO go out.
-
777.
>You feel a hand rest on your shoulder.
-
778.
>"No pressure, brother. Just if your girls allow." He shrugs a shoulder, and his hand is gone.
-
779.
"I'll think it through as I shop," and it's the same answer you usually give.
-
780.
>To his credit, Bulwark just gives you a reassuring look before striding back to his post by the scanners.
-
781.
-
782.
>You make your way along the aisles by muscle memory, pushing the cart along.
-
783.
>Milk, bread, eggs. Parmesan to go under the tomato base.
-
784.
>There's that hand gesture again. Thumb to fingertips.
-
785.
>Trendy hat cereal. The Finest Popped Tarts for sleeping beauty.
-
786.
>Beef chuck for meat sauce on the weekend.
-
787.
>Chicken livers, which you'd never admit to blending and putting in said meat sauce.
-
788.
>It adds flavour, but a certain someone can get squeamish over it.
-
789.
>A heap of vegetables.
-
790.
>You buy a few premade packs of pizza dough, and head over to the deli counter.
-
791.
>A small fortune of rotisserie chicken later and you're bound for the checkouts.
-
792.
>Bulwark, to his word, sees you coming and talks into his radio quickly.
-
793.
>He gives you a thumbs up, and gestures for you to start loading up the conveyer belt.
-
794.
>By the time you're all set up, a shock of blue hair and a tight hug alerts you to Vinyl having snuck up on you.
-
795.
>"Well, shit. Look who it is."
-
796.
>She likes to pretend you're a stranger she rarely sees.
-
797.
>Though you suppose it isn't pretending.
-
798.
>You aren't the best friend you could be.
-
799.
"Who'd think I'd be here the same time I am every week, right?"
-
800.
>She snickers, looking over her shades at you.
-
801.
>You catch a glint of red before she slides them back into place.
-
802.
>Vinyl's as pale as they come, and she's always had her hair dyed from the default white.
-
803.
>The purple lenses and wearing shades indoors would be a douchey look if it weren't her.
-
804.
>But it's Vinyl, and you just take some things in stride with her.
-
805.
>"You look like shit." She offers as she starts scanning.
-
806.
>She takes her time, and despite the storm you know you can afford to spend a few minutes here.
-
807.
"Thanks, V."
-
808.
>Her smile drops, and she's all focus.
-
809.
>"Seriously, Anon. You're killing me here. How much sleep you averaging the past few days?"
-
810.
"I'm getting eno-"
-
811.
>She holds a hand in place like she's stalling a record on her deck.
-
812.
>You're used to her quirks.
-
813.
>"Pump the brakes, I'm not done, fucker."
-
814.
>You nod, letting her pick back up.
-
815.
>"Average hours sleep, last few nights?"
-
816.
>Six hours or so this morning.
-
817.
>Before that?
-
818.
>Shit.
-
819.
"Uh, three." you mumble, clearing your throat after.
-
820.
>"Sorry, didn't quite catch that?"
-
821.
>She absolutely did.
-
822.
"Three."
-
823.
>She bobs her head in her own version of a nod.
-
824.
>"You're gonna put yourself in the ground you keep that up. I know you're not working overtime for the cash."
-
825.
>She's right.
-
826.
>Your folks left you more than enough to get by, even if you weren't careful with it.
-
827.
>And you were more than careful with it.
-
828.
"I'm fine, V."
-
829.
>"Really?"
-
830.
>It's simple, but it hits you harder than it should.
-
831.
"I'm not okay, but not in a way you need to worry." You clarify.
-
832.
>"You're only 4 years older, dude. They don't expect you to be a second dad."
-
833.
>You cross over to the bagging area as she scans, busying yourself with packing the groceries.
-
834.
"I expect me to be. It's what they deserve."
-
835.
>"You start getting into what people do and don't deserve and we'll be here all day." She scoffs, handing you your eggs.
-
836.
>You set them on top of the first bag, before starting on the second.
-
837.
"Anyone ever tell you you're surprisingly wise?"
-
838.
>"Nah, unappreciated in my own time. Total comes to twenty-one and sixty."
-
839.
>That's.. low. Especially given the chicken for the pizzas.
-
840.
>You squint at the readout, then her.
-
841.
>"I guess I musta swiped my employee card somewhere in all that." She sighs.
-
842.
>You stare her down for a couple of seconds.
-
843.
>"Dude, just pay me and get going before the clouds break."
-
844.
>"I'm not cancelling it."
-
845.
"Thank you, V." You dig "your" wallet out of your back pocket.
-
846.
>The leather's all banged up.
-
847.
>You hand her the cash, she hands you your change.
-
848.
>"Thank me by coming out and getting fucked up with us on Friday." She drops her shades down her nose, winking.
-
849.
"I -.. I'll consider it."
-
850.
>"Rad. Bulwark! Help Anon load his shit up!" She yells past you over to him.
-
851.
>"Be right with you, man!"
-
852.
"What happened to no pressure?" You nod your head back, given you're trying to carry all your groceries in one trip, indicating Vinyl.
-
853.
>No harm in asking.
-
854.
>Bulwark grabs your bags from you, carrying them with ease.
-
855.
>"Guess you'll just have to tag along to find out, huh?"
-
856.
"I'll see if the girls will-"
-
857.
>"Bring 'em with." He cuts in.
-
858.
>Clover's wasn't exactly a great bar.
-
859.
>But the owner, Rust, was a stand-up guy who didn't card provided you didn't get stupid after a few.
-
860.
>And they did the best wings and rings in town.
-
861.
>Plus he had around 3 different firearms stashed behind the bar, and didn't tolerate anyone hassling regulars.
-
862.
>It'd be a decent idea if you could actually move Aria anywhere outside of walking range.
-
863.
"Aria won't ride in - shit, anything with an engine. She can't right now. I can't leave her alone."
-
864.
>"How you figure she'll be alone with Adagio and Sonata around?" He drawls.
-
865.
>Before you can reply, he's gesturing with his grocery-laden arms around the parking lot.
-
866.
>"It's not that different to a store run."
-
867.
>"Except you'll be eating those wings, some onion rings and throwing back some otherworldly tequila with me and Scratch."
-
868.
>Has he been rehearsing this?
-
869.
------------
-
870.
>It.. actually makes sense.
-
871.
"Fuck. Okay, maybe it'd be good to get out a bit."
-
872.
>"Yeah let's not get too crazy, we'll keep to once every half a decade for right now."
-
873.
>You look at the storm cloud, before opening the trunk.
-
874.
>Bulwark loads your bags, and rests back on the tailgate.
-
875.
>"Say you'll see us Friday."
-
876.
>He's a good head taller than you standing, but for all the muscle and ink, it doesn't come off as intimidating.
-
877.
>The guy still has the facial expressions of a labrador.
-
878.
>You look around the slowly filling lot for an excuse.
-
879.
>Ozone is filling the air, and you know you're on the clock.
-
880.
"I'll see you guys on Friday." You concede.
-
881.
>His face brightens, and he punches your shoulder.
-
882.
>"There he is. Ladies and gentlemen, Acapella is BACK!"
-
883.
"Yeah, yeah. A few shots. That's it."
-
884.
>He boos, but doesn't push it.
-
885.
>"Be there around 7. I will come and get you if you aren't around by 8."
-
886.
>You really don't want to ride pillion.
-
887.
"Alright, I'll be there. Don't worry."
-
888.
>His expression is soft, and genuine.
-
889.
>"Always do, brother."
-
890.
>He clasps your forearm again, and he strides back towards the store.
-
891.
-
892.
>You shut the trunk and climb back up into the Ranger.
-
893.
>No turning the engine over, though.
-
894.
>Instead you scratch at the faux-leather coating the wheel.
-
895.
>You'll see what the girls think when you get back.
-
896.
>After dinner.
-
897.
>Here goes nothing.
-
898.
>You pull out and head homebound, the storm following along in your wake.
-
899.
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
-
900.
>You back up onto the drive and kill the engine.
-
901.
>You sit there for a second before forcing yourself into action.
-
902.
>You're not sure what's more surprising when you open the door.
-
903.
>That Sonata's clear-eyed still, or the fact that Adagio's sat on the bottom of the stairs waiting too.
-
904.
"Requesting permission to dock."
-
905.
>Sonata tries her best to look stern. Then she grins.
-
906.
>"Granted."
-
907.
"I'm gonna need help bringing my wares into harbour." You jab a thumb back at the Ranger.
-
908.
>Sonata's already out the door.
-
909.
>The day gets weirder when Adagio goes out with her.
-
910.
-
911.
>The three of you cover the island countertop with the groceries.
-
912.
>It's much easier work with the three of you.
-
913.
"Adagio, you mind putting all the frozen stuff in the chest fre--"
-
914.
>She's already loaded her arms up with the beef chuck and other bits and pieces.
-
915.
>She heads through to the garage, headphones already back in.
-
916.
"Thank you." You offer after her. "Sonny, you're on pantry duty, please."
-
917.
>She gives a lazy salute and gets to work.
-
918.
>Still sober, at 5pm.
-
919.
>Hell of a day, you muse.
-
920.
"Hey, I was wondering, would you mind giving me a quick trim?"
-
921.
>You're sort of yelling into the fridge, but the pantry's right there so it isn't a huge issue.
-
922.
>"What's the occasion?" She yells back.
-
923.
"I might -- hang on."
-
924.
> You take out some salad greens that are past their due, slotting in Adagio's soda.
-
925.
>That done, you shut the fridge for a second and head on after her to the pantry.
-
926.
"I got talking with Bulwark and Vinyl. They asked if I'd head out with them on Friday."
-
927.
>"I can work my magic, sure."
-
928.
-
929.
>She steps closer, tousling your hair this way and that with both hands.
-
930.
>It's the same straight quality shared by you, her and Aria.
-
931.
>Your dad too, you suppose.
-
932.
>Adagio alone has the blessing and curse of your mom's thick hair.
-
933.
>When she's done getting a measure of the mess on your head, she lets her hands fall to her sides.
-
934.
"You think you can hold the fort for an hour or two Friday?" You ask, and her breath catches.
-
935.
>Her eyes widen slightly, looking to the doorway.
-
936.
>"You're not asking Dagi?" She asks, quietly.
-
937.
"I know she'll look out for you both."
-
938.
>The way it's always been.
-
939.
"But it would give me peace of mind knowing I've got two of you nearby if Aria needs you."
-
940.
"I know I'm asking two favours in one, but I need you sober if I do go, okay?"
-
941.
>You cup her face with your hand, making sure she understands you.
-
942.
"Can you do that for me?"
-
943.
>Her eyes still have bags under them.
-
944.
>But the telltale red from smoke and coughing has faded.
-
945.
>She meets your gaze, and nods.
-
946.
"Alright."
-
947.
>"Alright." She replies, and you lean in, kissing her forehead.
-
948.
>She makes a face.
-
949.
>"Bleugh."
-
950.
"Atta girl. Thank you."
-
951.
>You head for the pantry door.
-
952.
>"Wait do you want me sober for the haircut, or.." she tilts her head, ponytail hanging by its own weight.
-
953.
"Do I want you sober when you're using scissors around my face, neck, and ears?"
-
954.
>You give her your best Dad Look.
-
955.
>The look that'd get you questioning all of your life choices up to that point.
-
956.
>You were lucky enough to rarely be on the receiving end of that.
-
957.
"You're a smart girl, but sometimes you sure ask some questions."
-
958.
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
-
959.
>Adagio is, again, perched on the island.
-
960.
>You're not even sure if she's trying to piss you off at the minute.
-
961.
>She's drumming away with her palms, keeping time with whatever she's listening to.
-
962.
>She isn't actually singing, but its been
-
963.
>A while since any of you sang.
-
964.
>She's mouthing along though.
-
965.
>You poke a finger into her side, and she yelps.
-
966.
"Woah, sorry. Frozen stuff all put by?"
-
967.
>She's holding her side like you went and shot her.
-
968.
>She stares for a minute, before you yank out her headphones by the cord.
-
969.
>"What?"
-
970.
"I was checking you put everything away."
-
971.
>"Yes, I did." She sounds insulted.
-
972.
>Fuck, ok. Diversion.
-
973.
>You're still holding her headphones.
-
974.
"No need to hoard the tunes, kid."
-
975.
>You cup your hand, holding the earbuds to your ear.
-
976.
>>"I gotta bring you to my hell,
-
977.
>>"Baby I wanna fuck yo--"
-
978.
>Okay, you clearly chose the wrong song for family listening.
-
979.
>She snatches her headphones back, holding them to her chest.
-
980.
>Her nostrils flare as she breathes, and you can tell you've just completely and utterly embarrassed her.
-
981.
>Say something.
-
982.
>Anything.
-
983.
>Stop just staring at her.
-
984.
"Got you that soda you like." You offer.
-
985.
>He swings, he misses!
-
986.
>Fuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuck.
-
987.
>She hops off the counter, and storms off back upstairs.
-
988.
-
989.
>The distraction of putting the rest of the groceries into the fridge doesn't last for near long enough.
-
990.
-
991.
>You leave the pizza dough in the sun, cutting the packaging to let it breathe.
-
992.
>Speaking of breathing
-
993.
>You need to sit down.
-
994.
>You haven't actually taken a breathe since
-
995.
>That.
-
996.
>Which may have just killed you
-
997.
>Mortified is a good word for how you feel right about now.
-
998.
>You stagger over to the dining table, and let your weight land you firmly at the head of the table.
-
999.
>Speaking of heads and tables, you just slam yours into the table and lay there.
-
1000.
-
1001.
>"You gooooood?" Sonata asks, sitting next to you at the table.
-
1002.
>All you can manage is to shake your head, rubbing your forehead on the tabletop in the process.
-
1003.
"Promise me to join a nunnery, Sonny."
-
1004.
>She gives you an amused "no" after a moment's thought.
-
1005.
>They're 19, this is all
-
1006.
>Normal.
-
1007.
>Hell, you're probably behind schedule with - all this.
-
1008.
>Whatever this is.
-
1009.
>It's expected they'd start being interested in guys.
-
1010.
>Oh do they need the fucking talk?
-
1011.
>You're not freaking out.
-
1012.
>You're not freaking out.
-
1013.
>You hear a ringpull crack, and the hiss of carbon escaping.
-
1014.
>"You're freaking out, big time." There's your little sister.
-
1015.
>Always a source of calm.
-
1016.
>Sonata loudly slurps her drink, before setting it down on the table.
-
1017.
"Coaster." You remind her but your heart isn't in it.
-
1018.
>There's a soft clink of metal on metal.
-
1019.
"Thank you."
-
1020.
-
1021.
>"Want me to go get my kit?"
-
1022.
"Your stash kit, or your hair kit?"
-
1023.
>She lets out a puff of breath, before taking another draw from her soda.
-
1024.
>"Either?"
-
1025.
"For the first time, that first option has some merit. No, get your scissors and a towel, please."
-
1026.
>"Aye aye!" She calls, pushing her chair out and strolling off.
-
1027.
>Eternal Twins, Friday can't come soon enough.
-
1028.
-
1029.
>Sonata getting to work on your hair is relaxing.
-
1030.
>Your eyes are drooping in your chair and you manage to stay awake.
-
1031.
>Just barely though.
-
1032.
>Time blurs in the clip of scissors, water misting and brushing.
-
1033.
"How did class go today?"
-
1034.
>"Easier, but boring at the same time?"
-
1035.
"Boring?"
-
1036.
>She holds a strand of hair, before snip-snapping it away with her scissors.
-
1037.
>"I'm not as hazy, so I'm getting through the sample sheets quicker. But then its waiting until everyone else is caught up."
-
1038.
"I think I'd prefer you bored as opposed to high."
-
1039.
>She says nothing to this, and you see her look to the side in the small shaving mirror she's set in front of you.
-
1040.
"Seriously. You sound like you're on the right track. How did your tutorial go?"
-
1041.
>"Got a few digital labs coming up.The main one isn't for a few months."
-
1042.
>She turns your head, before starting to work her way from your crown to your bangs.
-
1043.
>"Juuuuust a little clean up, I know you're going for the whole roguish shtick."
-
1044.
"You mind telling me who told you that? It's just they seem to have a better handle on me than I do."
-
1045.
>"I do." She's smirking at the back of your head.
-
1046.
>The rest of it passes by in that odd tempo and staccato of scissor blades snapping shut.
by TypingFuriously