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A special Day

By NHanon
Created: 2024-10-07 14:04:25
Expiry: Never

  1. >The walk back home feels more like a march.
  2. >That itself is addled by the accumulated aches and pains throughout today’s work.
  3. >All in all, nothing too unusual.
  4. >Thankfully, respite lies ahead at home.
  5. >Once within that sanctuary, you can finally-
  6. >“Rest?” calls out a familiar voice.
  7. >Broken out of your stupor, you spot Connie standing by your front door.
  8. “Hey there, what’s up?”
  9. >Her brow knits, “Well, I’m here to get you.”
  10. >It’s your turn to knit your brow.
  11. “For…?”
  12. >A hint of a twitch is on her face, “Did you forget what today is?”
  13. >Wracking your brain results in shaking your head.
  14. “No, not really. Why, is it important?”
  15. >The second that question leaves your mouth, everything clears up.
  16. >It’s worsened by her gaze narrowing in on you.
  17. >Her visible displeasure is not unfounded.
  18. >That whole interaction happened a bit ago, with it replaying every so often.
  19. >Because today is special, and it has been discussed at length for nearly a month.
  20. >But the combination of work, along with a case of being scattered brain, has kept it off your mind for the past few days.
  21. >Yet here you are now, trudging slowly after Connie.
  22. >“What’s the hold up?” she asks, looking back.
  23. >Although it was on you for forgetting about today, she seems to be forgetting your own troubles.
  24. “Oh I don’t know… Maybe it’s the fact that I’ve been on my hooves for nearly /twelve/ hours?”
  25. >A small scrunch crosses her muzzle, to which she slows to match your pace.
  26. >“Ah, right. I didn’t consider that.”
  27. “Yeah, I noticed.”
  28. >Was that rude? A bit.
  29. >But, it was the truth, nonetheless.
  30. >Whatever her reason, she tends to forget how much of a literal pain your career is.
  31. >And with today, not only did she forget, but she dumped not one, but TWO full bags of supplies onto you.
  32. >She softly sighs, “All right.” And looks at you with a smile, “I admit that I /may/ be pushing you a little much.”
  33. >Not even a second passes before she follows that up, “No, I’m sorry. That isn’t right. I am pushing you a lot today, Rest.”
  34. >Good, at least she realizes that.
  35. >“Though despite that, we’ve been talking about this in our meetings, so I want to keep to the schedule discussed.”
  36. >Correction: the schedule /she/ wanted.
  37. >You felt that winging it was easier, if not, better.
  38. >Needless to say, that didn’t sit well when it was brought up.
  39. >That doesn’t matter much now.
  40. >Today is important, after all.
  41. >So, souring it should be avoided at all costs, if possible.
  42.  
  43. >Drawing yourself up, you spare her a friendly smile.
  44. “Connie, I’m sure everything will be fine. You just need to…”
  45. >You tilt your head from side-to-side.
  46. “...dial it back, that’s all.”
  47. >“I suppose you’re right,” she replies. “Though I do find that to be a bit surprising.”
  48. >You arch a brow.
  49. “What do you mean?”
  50. >“Because I thought you would be just as enthusiastic about today as I am.”
  51. “Again: I’ve been working nearly all day…”
  52. >That twitch from before returns, stronger this time.
  53. >She says nothing, otherwise.
  54. >While you’re no ray of sunshine, she’s different, and not necessarily in a good way.
  55. >Speaking of sunshine, there’s a lot of ponies out today; all friendly, too.
  56. >Most give a little wave, some a warm greeting, and others engage in simple, little chitchat.
  57. >Connie always returns either of the first two in kind.
  58. >As for you, well…
  59. >“Good afternoon, ladies,” greets a graying stallion.
  60. >Unlike Connie, you shoot him a hard glare, which hurries him along without a further word.
  61. >A pang of guilt stirs in your guts.
  62. >Mistakes were made, but can be avoided if the situation presents itself later.
  63. >At least this trip is almost over, as there is just one final turn ahead, then the matter of following the road until the destination is reached.
  64. >You two round the corner, yet stop almost immediately upon doing so.
  65. “Oh come on…”
  66. >A heavy, slightly hushed sigh escapes your companion.
  67. >Almost entirety of the street is covered in produce, trash, and other assorted bits and bobs.
  68. >That’s all sourced from a rather large pileup of carts.
  69. >There’s a crowd of various ponies gathered here, too, with none of them doing anything but arguing, gossiping, and/or gawking at the scene.
  70. >“How did this even happen…?” asks Connie breathlessly.
  71. “Dunno, but it did.”
  72. >“This is just great,” she starts. “It’s going to delay everything I planned out, and-”
  73. >You tune her out, seeking for a route.
  74. >That appears in an instant.
  75. >In spite of the aches, and the teetering of emotions, it’s clear what you must do.
  76. >With that, you take off in a full gallop.
  77. >“Rest, where are you going?!” calls out Connie.
  78. >Explaining would take too long.
  79. >There is no need to give her a glance to know that she’s giving chase.
  80. >Through the many yards you two dash, and around ponies in said yards, along with whatever else is in them.
  81. >Fences are leapt over as the impromptu marathon continues.
  82. >Angry shouts, glares, and even literal trash are thrown at you.
  83. >None of that slows your advance, as you dodge, duck, dip, dive, and dodge.
  84.  
  85. >After getting through the very last yard, you come to an abrupt stop, though because you reached your destination, but-
  86. >“Y-you…” *wheeze* “...you c-could have warned m-me first…” says Connie.
  87. >That, and you’re not fairing any better.
  88. >You can’t muster a response, save for waving her off with a nod.
  89. >Your body trembles, having compounding the effects from work earlier.
  90. >It’s then, without warning, you plop your rear onto the ground, still huffing and puffing all the while.
  91. >Connie suddenly gasps.
  92. >You raise a brow in question, but understand when she scrambles to check the bags you dropped unceremoniously next to you.
  93. >Her eyes widen, “No, no, no!”
  94. >Hindsight is twenty-twenty.
  95. >You peek into a bag, finding the contents to likely be in the same shape as the other.
  96. “Oh.”
  97. >She snaps her head to you.
  98. >A very strong, powerful twitch is in her eye, “It’s crushed, isn’t it?”
  99. >Despite knowing better, you half-shrug and nod.
  100. >“I can’t believe this,” she growls.
  101. >She points a hoof at you, gaze tunneling in, “And it wouldn’t have happened had you not just taken off like some brainless oaf!”
  102. >Oh here we go…
  103. >Remember: stay calm, be the bigger mare.
  104. >It would be easier with a little cider…
  105. “Stop yelling, please.”
  106. >Her body begins to visible shake as her face turns from pink to red.
  107. >You swiftly boop the tip of her muzzle with a hoof.
  108. “Hold it. Take a deep breath in, then out, okay?”
  109. >She continues to shake, but does nod, and starts to breath as you said.
  110. >She does the whole process again and again, with each exhale appearing to ease her a little.
  111. >Eventually, a small, calm smile forms on her lips.
  112. “Better?”
  113. >She nods.
  114. “’kay, let me see what I can do to fix this.”
  115. >Saying nothing, she lets you have at the bags.
  116. >You fiddle with the contents of both, doing your best to undo the damage.
  117. >That effort amounts to, well…
  118. “Eh, I tried.”
  119. >She looks over each, working her jaw a moment before shaking her head, “It’s fine, I suppose.”
  120. >That went better than expected.
  121. >Knowing how she can be, however, they’ll be lecture about this later.
  122. >You pick up the bags, and follow her to the lonely little house at the edge of the road.
  123. >While she knocks and you two wait, you peer down the road.
  124. >The chaos from before is exactly the same as when you first saw it.
  125. >You shake your head.
  126. >A minute passes in silence.
  127. >Connie knocks once again.
  128. >There is still silence.
  129. “Odd…”
  130. >“Maybe she’s not home today?”
  131. >Shaking your head again, you give her a look.
  132. “Not likely.”
  133. >“Hey, for all we know, she’s out taking a walk through the park, or maybe she’s at the bookstore.”
  134. >You deadpan.
  135. “Seriously?”
  136. >“What? It’s entirely possible.”
  137. >As optimistic as that is, that’s a clear cover for worry.
  138. >Not that you blame her though, because you’re certainly starting to feel it, too.
  139.  
  140. >You opt to knock, though louder than she did.
  141. >Time passes by, earning the same response as the last two.
  142. >That leaves one action.
  143. >You set down the bags, and turn around.
  144. “Stand back, I’m gonna buck it down.”
  145. >Her eyes go as wide as saucers.
  146. >Before you can go any further, she stomps, “Whoa there, Rest!”
  147. >She whips her head back-and-forth, planting herself between you and the door.
  148. >“Let’s not get too hasty. The last thing we want is to overact.”
  149. >Ironic…
  150. >This isn’t the time for arguing, however.
  151. “What if she’s hurt?”
  152. >Any semblance of calm dissolves immediately from her face.
  153. >In its place, a darker, more colder sight appears, “Then I’d tear apart the world to save her.”
  154. >You adopt a wide grin.
  155. “Now you’re speaking my language.”
  156. >Just as you go to buck, she raises a hoof, “Wait!”
  157. “What is it this time?”
  158. >“At least let me check if it’s locked first.”
  159. >You utter a low groan.
  160. “There is no time for that…”
  161. >“Let me try, anyway.”
  162. >Sighing, you step aside.
  163. >She turns the handle easily, and looks back to you, “See? There was no need for force.”
  164. “True, but it shouldn’t be unlocked.”
  165. >She nods, “Agreed.”
  166. >The two of you hurry inside.
  167. >Most of the living room is dim, lit only by the open door, with few cracks of light coming from around the closed curtains.
  168. >Connie draws said curtains open, though nothing appears out of the ordinary.
  169. >A simple look is shared between you two says what to do next: search.
  170. >You check the basement, while she deals with the first floor.
  171. >It’s dark, damp, cluttered, but otherwise, there’s nothing down there.
  172. >That feeling from the front door is fed by nothingness.
  173. >You return to Connie.
  174. “Anything?”
  175. >“No.”
  176. “Same here.”
  177. >It doesn’t need to be said to know what you’re both feeling.
  178. >A light creak comes from upstairs, drawing you both into looking up, with your ears twitching.
  179. >There’s a moment of silence, then the creak comes again.
  180. >Yet another exchange of a look moves you two into going upstairs.
  181. >That itself is slow, feeling heavier than it should be.
  182. >There’s a few rooms up here: the bedroom, bathroom, and the attic.
  183. >Out of the three, the bedroom has sole attention.
  184. >What feels like a cold chill billows from it.
  185. >That only grows worse when you’re both standing in front of the closed door.
  186. >A hard lump forms in your throat.
  187. >You swallow it down, and glance at Connie, seeing her face likely the same as yours.
  188. >Carefully, you open the door.
  189. >Like the rest of the home, it’s dimly lit.
  190. >Every step is slow, slower than going up, and even heavier somehow.
  191. >Aside from yours and Connie’s breathing, it’s silent.
  192. >Just like the living room, Connie pulls aside the curtains, but that does not make the situation any better.
  193. >The desk is a disorganized mess of papers (crumpled or straight), pencils, pens, and razors.
  194. >The bookshelves have been emptied, with their contents strewn across the floor.
  195. >And the bed has its bedding sprawled out haphazardly.
  196.  
  197. >This atmosphere, it’s thick, harsh, hard to breath.
  198. >Everything feels frozen in time.
  199. >But that itself ends.
  200. >Because you see it.
  201. >Connie sees it.
  202. >The closet door is closed.
  203. >It’s /never/ been closed before.
  204. >If it was cold before, it’s now freezing.
  205. >A shiver courses throughout your coat as you two approach the closet.
  206. >You’re not sure who did it first, but both yours and her hoof are on the handle.
  207. >A single look is shared, then you both rip the door open.
  208. “ERI!”
  209. >“ERI!”
  210. >“Oh come on… why couldn’t you just leave me alone?”
  211. >She manages to utter a single ‘eep!’ as she’s glomped by you two.
  212. >“Nuuu! Stop it, I did not give you permission to touch me. This is a bad touch.”
  213. >“Don’t you /ever/ dare scare me like that again,” cries out Connie.
  214. >If you could, you’d say something similar.
  215. >She is safe.
  216. >She is all right.
  217. >She still groans in mock agony.
  218. >But despite that, the lingering fear withers away for the time being.
  219. >At last, you’re able to speak freely.
  220. “H-hey, um. Happy birthday, Eri.”
  221. >“That’s right,” starts Connie. “Happy birthday, dear.”
  222. >Eri deeply sighs, then shifts her gaze from you to Connie.
  223. >“It’s just another long, dark year of rotting and suffering; edging me closer and closer to the cold embrace of the grave.”
  224. >She’s still herself.
  225. >It takes some effort, but you two do get her downstairs to the couch.
  226. >Connie retrieves the bags from outside, and pulls out a large box from one.
  227. >It’s revealed to be a cake, which surprisingly, is intact.
  228. >“I don’t deserve this,” mutters Eri.
  229. >“You deserve a lot. Doesn’t she, Rest?”
  230. “Yeah, of course she does.”
  231. >“The only thing I deserve is death,” wails Eri.
  232. >Connie lightly titters while tending to the cake.
  233. >You grab a gift at random from the other bag.
  234. “Here, open this.”
  235. >A brief look of disapproval appears on Connie’s face, which you promptly ignore.
  236. >“I…” Eri starts, shaking her head, “I don’t know how to feel about this.”
  237. “I dunno, maybe happy?”
  238. >Okay, that was a poor choice of words.
  239. >And from the look Connie is giving you, it’s a mutual thought.
  240. >Eri utters a disturbing mix of a laugh and cry, and shakes her head.
  241. >“...as if that would ever happen to me.”
  242. >She’s always been like this, even before you two first met at the hospital years ago.
  243. “Well, go on, and open it, anyway.”
  244. >She tries, but is having a hard time due to the knot.
  245. >That’s Connie’s work; you always make yours so simple that even a foal could open it.
  246. >Eri’s frustration boils over into her biting and snapping the twine with a grunt.
  247. >You can’t help but utter a small giggle, which earns a glare from her.
  248.  
  249. >Her attention falls back to the box, and she opens it, then pauses, staring at the inside for a moment.
  250. >Her eyes widen as she pulls out the gift, “A poetry book.”
  251. >There’s a very brief, small twitch at the corners of her mouth.
  252. >“And…” she opens to the first page, “you even got the author to sign it, too.”
  253. >Connie beams, “I knew you’d like it.”
  254. >Not wanting to be outdone, you fish out another gift, finding one of yours.
  255. >Eri has a much easier time opening it, and upon doing so, that twitch appears again.
  256. >“A teddy bear.”
  257. >She hugs it close, drawing a little warmth from your chest.
  258. “Do you like it?”
  259. >A stupid question, but you like asking, anyway.
  260. >She nods silently while still hugging it close.
  261. >The last of the candles are set, then lit, and as Eri looks to it, a small twinkle is in her eyes.
  262. >“I, uhm, well… thanks, girls.”
  263. “Anytime.”
  264. >“You’re welcome, dear.”
  265. >Honestly, despite all the troubles today – the long work shift, forgetting what today is, the pileup, or even the scare from earlier – everything went well in the end.
  266. >In fact, nothing could spoil this moment.
  267. >Eri blows out her candles.
  268. >“I wish I was dead,” she mumbles.
  269. >Okay, other than her wishing for that.

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