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Tit for Tat

By NHanon
Created: 2024-10-27 23:34:25
Expiry: Never

  1. >There’s so much talk, but it’s about nothing interesting.
  2. >Who cares about history, really?
  3. >You turn to speak to another pony, but are immediately ignored.
  4. >Looking to everypony else, it’s all the same.
  5. >Why is it like that?
  6. >One minute, you’ll get in with a group.
  7. >The next, that might as well never have happened.
  8. >It’s like being… invisible.
  9. >This isn’t supposed to happen.
  10. >Too much has been done to prevent exactly /that/.
  11. >Is it the mane and tail?
  12. >No, it’s the same style as it’s always been.
  13. >What about the makeup, is that off?
  14. >It can’t be, at least, it shouldn’t be.
  15. >Then- wait.
  16. >Did the bell just ring?
  17. >Everypony is leaving now.
  18. >The day just started, though.
  19. >It doesn’t matter, get up, go along like everypony else does.
  20. >That’s the way it’s supposed to be.
  21. >It’s hard to pay attention sometimes.
  22. >The mind wanders, often to places far away, or deep within.
  23. >Scatterbrained, that’s what some call it.
  24. >No pony is talking, well, not to you.
  25. >Ignored.
  26. >Any momentum begins to leave.
  27. >No matter what way it’s approached, every day ends this way, it seems.
  28. >And always, it’s at a random point completely unknown to you.
  29. >Once outside, the world feels lost, too.
  30. >Because despite being the middle of the afternoon, it feels much later.
  31. >There’s faces, going which and everyway, but never give even so much a glance your way.
  32. >Voices, but they’re kept to their groups.
  33. >None of them want to include, well… you.
  34. >Silence soon falls.
  35. >Even the world itself joins in that quiet chorus.
  36. >The sky above is without sunshine.
  37. >Gray clouds blot it out for as far as the eye can see.
  38. >Those trees seen are stiff.
  39. >Life yet lifelessness.
  40. >A sigh leaves you.
  41. >Some ponies would call a day like this bad.
  42. >They also say that those come every now and then, but never last forever.
  43. >If that’s the case, why does it feel like they’ve been growing longer with each day?
  44. >There are some differences, such as movi-
  45. >No, don’t think about it.
  46. >Focus on the positive.
  47. >Easy to say, harder to do.
  48. >Things often feel much more different.
  49. >Foals think that way, which would make you a-
  50. >Stop it.
  51. >Don’t deny it.
  52. >But-
  53. >Being a misfit is a truth – a state of being for you.
  54. >Every part of yourself turns heavy, with slowed, mechanical-like movements that start to carry you along.
  55. >Your gaze falls, kept to the road, bobbing in time to the steady steps.
  56. >It’s like there’s a leech sapping the life out.
  57. >When did it become like this?
  58. >Better yet, why did /you/ let it happen?
  59. >No answer.
  60. >Absent.
  61. >Heh, funny word.
  62. >That’s one that describes your life to a T.
  63. >It shouldn’t be that way.
  64.  
  65. >Don’t think about it.
  66. >Keep moving forward, eyes trained anywhere but back behind.
  67. >That’s a cope, and you know it.
  68. >So what, if it keeps you going, then it’s fine.
  69. >Moreover, it’s the lighthouse in the darkness of the storm, guiding your weary ship to a safe haven.
  70. >What a weird thought.
  71. >Kinda poetic, though, isn’t it?
  72. “...suppose.”
  73. >It’s from that poetry book you’ve been reading so much.
  74. >It gets you more than anypony does.
  75. >That’s messed up.
  76. >No-
  77. >Because you’re messed-
  78. >Stop it.
  79. >Various homes of shapes and sizes are passed by, drawing away your attention.
  80. >The yards are not much different.
  81. >But like everything else, there is not a soul to be seen, not since the last bell rang earlier.
  82. >What would it matter if there was one?
  83. >You could talk to them, and-
  84. >Any of them would hold the same looks, the same feelings, towards you.
  85. >Maybe it will be diff-
  86. >No exceptions. Now, ask yourself this: do you /really/ want that?
  87. “...no.”
  88. >Good, at least that’s something that you understand.
  89. >Things wouldn’t be that way if everypony would stop being against you for whatever reason.
  90. >There *is* a reason: you’re a misfit to them.
  91. >Stop thinking about it.
  92. >A slowed, delayed glance is given towards one of the houses passed.
  93. >Like the trees, it’s stilled, the features appearing as though they will never, ever change.
  94. >Almost every house along the block is identical – same colors, same shapes, same general idea.
  95. >That’s wrong.
  96. >They should stand out proudly, like you do.
  97. >Where would that lead?
  98. >…
  99. >Stop thinking about it, then.
  100. “It’s not that-”
  101. >You shut your mouth.
  102. >Gaze falls forward again.
  103. >Ponies shouldn’t hear you talking to yourself, least they think you’re weirder than you already are.
  104. >At the end of the block, far up ahead, a single house steals away everything.
  105. >While it highly resembles the rest, it has just enough of a difference to make it stand out in its own, special way.
  106. >Home.
  107. >A small, candle-like light flickers to life from within.
  108. >In that moment, a pull swells, growing stronger and stronger.
  109. >For the first time since the day started, everything picks up – breathing, heartbeat, and more.
  110. >Sunlight peeks through the cloud curtain, seemingly on cue.
  111. >All of the monochrome vanishes.
  112. >And it’s only now that you realize that you’re galloping at full speed.
  113. >Nothing matters, not in this final stretch.
  114. >Everything is within reach.
  115. >Because regardless of how the day has gone so far, there can finally be some peace to it.
  116. >You blitz through the front yard, up to the door, the entirety of you brimming with energy.
  117. >You grasp the handle to turn it, yet…
  118. “Huh?”
  119. >...it doesn’t turn fully.
  120. >A pause is given.
  121. >Then, the handle is tried again.
  122. >Locked.
  123. >It should not be locked.
  124. >It /cannot/ be locked, not when you need to see your-
  125. >Stop it.
  126. >In spite of that command, the locked door remains unchanged.
  127.  
  128. >All at once, everything – inside and out – returns to its former, gray, heavy state from moments ago.
  129. >Stay.
  130. >Go.
  131. >Indecision.
  132. >Inaction.
  133. >Inward, stupid thoughts.
  134. >You know who’s stupid-?
  135. >With an absentminded retrieval of keys, you unlock and open the door.
  136. >Slowly, you shuffle inside.
  137. >Much like the world outside, it’s totally inside in here.
  138. >There’s actual color to be had, though.
  139. >Meaning is held, not lost.
  140. >Despite know better, an old habit, driven by a remnant, kicks in.
  141. “I’m home!”
  142. >Silence.
  143. >There will be a time when that is different, right?
  144. >Don’t ask stupid questions.
  145. >Instead, think of how this is just a coincidence.
  146. >That’s a lie.
  147. >It doesn’t hurt so much.
  148. >You trudge through the living room, bits of things catching your gaze for a second or two.
  149. >The furniture is all new, like it just came from the store floor.
  150. >Little trinkets on shelves, holding traces of places once visited.
  151. >Pictures hang along the walls, moments in time captured.
  152. >All of them are the same – nothing lasts forever.
  153. >Everything is so familiar, but…
  154. >No.
  155. >Thoughts tune out upon entering the kitchen.
  156. >A nice large, open room, yet not much different in terms of newness or lifelessness.
  157. >Except for a single, solitary difference.
  158. >Sitting atop the table, a written note.
  159. >The words are read through carefully, clinging to the voice of their owner.
  160. >All but one part is disregarded: we have to work late again.
  161. “Ha… ha… so funny.”
  162. >It’s the joke that never gets old, right?
  163. >It’s an excuse.
  164. >Wrong, it’s a lie, a very, /very/ cruel one.
  165. >How many times has it been written, said, or read?
  166. >How many more times will that repeat?
  167. >How much more will it last?
  168. >Ask yourself that.
  169. >You grit your teeth.
  170. >A light creak escapes from your mouth.
  171. >Nothing is right about any of this.
  172. >And knowing how the pattern goes, it will soon be followed by mov-
  173. “No, just… no.”
  174. >Why not try to change it?
  175. >Stupid question, it’s already been answered.
  176. >You can beg.
  177. >You can plead.
  178. >You can do anything.
  179. >But that won’t change how everything stays in the cycle.
  180. >From deep inside of you, an emotion bubbles to the surface.
  181. >In an act and a grow, the note is nothing more than a mess of confetti, soon deposited into the trash.
  182. >This form is better.
  183. >No pain.
  184. >No want.
  185. >No worry.
  186. >Absence may be a bane, but this one created by you is just a tiny bit better.
  187. >Leaving behind the downstairs, you venture up.
  188.  
  189. >The last door at the end of the hall stands out.
  190. >Decorations adorn it, with art, cutouts from magazines, and more, all of that you’ve collected or made over time.
  191. >Standing in front that door, it’s…
  192. >You open it, with a soft, sound escaping.
  193. >Some would’ve mistaken that for creaky hinges.
  194. >To you, however, it’s a warm, grateful noise.
  195. >Because in there, everything is safe, all right, good, and just.
  196. >Your bedroom.
  197. >Dropping your things to the wayside, you make a beeline to the large system gathered at the corner of the room.
  198. >You slowly trace a hoof over it, drawing a small smile across your lips.
  199. >This is the single most important possession.
  200. >It always gives more back so much.
  201. >And with one flick of a switch, it starts up.
  202. >Music floods the room in a tidal wave.
  203. >Throughout the day, weight was carried, added on, and forced to bear.
  204. >Actions – both yours and others – did that.
  205. >They don’t accept you.
  206. >They never will.
  207. >Hurt is all that-
  208. >That thought is cut short by a heavy bass drop.
  209. >Music aids in easing the troubles.
  210. >That poetry book you bought recently also helps in that.
  211. >On the occasion when there is… somepony else here, earphones have to be relied on to enjoy either.
  212. >While that does give it a unique kind of effect, it doesn’t feel nearly as free.
  213. >At least being alone here and now, everything can be loud and proud.
  214. >Being alone might as well stay that-
  215. >Stop it.
  216. >It’s normal, though.
  217. >Wrong.
  218. >How so?
  219. >Thinking anything that contradicts it doesn’t help.
  220. >No, it doesn’t.
  221. >Things would be better if those gloomy thoughts were absent, unlike… well, you know.
  222. >True, but at least those thoughts don’t want to move all the time.
  223. >Eyes squeeze shut.
  224. >Ears clamp down.
  225. “Don’t think about it.”
  226. >Don’tthinkaboutdon’tthinkaboutit-
  227. >A thunder of music ends that thought.
  228. >Breathing gradually eases.
  229. >Eyes open.
  230. >Ears go up.
  231. >Same room, same house.
  232. >It’s okay.
  233. >Though it would be more okay if things could finally stay put, or be removed as easily as your appearance.
  234. >That would make it fake, then.
  235. “That’s not- it’s not…”
  236. >No need to finish that sentence, especially when it would be a lie.
  237. >Piercings? Fake.
  238. >Collar? Fake.
  239. >Scars? Yep, also fake.
  240. >Even the style of your mane and tail, they’re fake, too.
  241. >There’s so little of you that is authentic.
  242. >Most ponies know that.
  243. >Even if you were tell them the truth, they’d think you were lying or something.
  244. “I’m not…”
  245. >You’re not what… a fake, a poser?
  246. >Remember: no pony will EVER accept you for who you are.
  247. >If, by some chance, you could go back to how you once were, nothing would change.
  248. >That’s why you have to alter yourself so much, just to fit in.
  249.  
  250. >Yet still, you are invisible.
  251. “Just…”
  252. >No.
  253. “...stop, please.”
  254. >Things don’t change, no matter what you do.
  255. >Focus on the music.
  256. >Why bother?
  257. >It’s gentle, soothing.
  258. >For how long?
  259. >The lyrics understand.
  260. >Don’t kid-
  261. >They don’t hurt.
  262. >A-
  263. >And now, they’re carrying you away; the melody sweeping you off your hooves.
  264. >Words flow free, no longer constrained by pain.
  265. “~It’s okay that everything was bad~
  266. ~It’s okay that everything was sad~
  267. ~It’s okay that nothing went your way~
  268. ~In the end, life goes on, come what may~”
  269. >Huh, a set of rhymes.
  270. >That book seems to be rubbing off on you.
  271. >Maybe these could be written down, perhaps even into a song.
  272. >You could share it.
  273. >Everypony would like that, and then they would-
  274. >The dancing stops, not with a thought, but with a truth.
  275. >You know how it plays out.
  276. >It’s better to keep things as they are now.
  277. >Ponies notice that state.
  278. >They listen.
  279. >They talk.
  280. >Turn a blind eye to everything else.
  281. >After a moment or two, you return to dancing.
  282. >While the music plays, a series of actions take over.
  283. >One by one, piece by piece, accessories are removed.
  284. >The fewer there are, the more things change.
  285. >Even after removing the last, it’s still not enough.
  286. >Down comes your mane with a pull of a tie, followed by your tail in the same fashion.
  287. >It all falls free, the way it’s meant to be.
  288. >Dancing within the sanctuary of your bedroom, when no pony is around, a rare event can take place.
  289. “~False idols removed~
  290. ~Pains now soothed~
  291. ~But the real is so near~
  292. ~Forever true, forever here~
  293. ~So a tit for a tat~
  294. ~Be yourself, Kitkat~”
  295. >Nothing left to fake.
  296. >It won’t last long, but it’s enough for now.

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