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Wake Up

By NHanon
Created: 2024-11-16 16:45:31
Expiry: Never

  1. >Wow, this party is pretty good.
  2. >There’s even some familiar faces, like-
  3. >The room begins to shake with a wild ferocity never felt before.
  4. “Whoa, what the-?!”
  5. >Is this the alcohol or a sudden freak earthquake?
  6. >No answer comes before everything ends up vanishing.
  7. >From the depths of the aether, comes a voice, “Wake up.”
  8. >You jolt, like you were struck by lightning.
  9. >Reality comes along with it.
  10. >Of course you were dreaming.
  11. >It’s a shame most of the details were lost.
  12. >But right now, someone is at your side, gently shaking you.
  13. >“Wake up,” the stranger says.
  14. “Huzzahwha-?” you groggily sputter.
  15. >Blinking a moment, you rub your eyes, clearing up your a bit.
  16. >For one, it’s not a person but a pony.
  17. >For two, you’re still in Equestria.
  18. >And at this very moment, one of the locals is here.
  19. >The details come about in the dim light – a gray coat, black mane and tail, along with a pair of pink, somber eyes, staring at your side.
  20. >A mare, one you know /all/ too well…
  21. >At your stillness, she shakes you again, “Wake up.”
  22. >The corners of your mouth fall.
  23. “I’m already awake.”
  24. >You sit up a little, getting a better look at the clock nearby.
  25. >It’s early… TOO early for this.
  26. >Yet here she is, right before the crack of dawn, no less.
  27. A light yawn escapes you as you slowly blink at her, “Why’d you break into my house?”
  28. >“I didn’t break in, your front door was unlocked, Anon,” she states.
  29. >Of all the times to forget to the lock the door, it just /had/ to be last night, didn’t it?
  30. >No one around here locks theirs, and they’ve brought it up so much that it must be rubbing off on you.
  31. “Okay,” you roll a hand, “so what do you want?”
  32. >“I needed to talk with you.”
  33. >You narrow your gaze.
  34. “And it couldn’t wait until later?”
  35. >Her reply is a swift, “No,” as she shakes her head.
  36. >There’s a feeling of an eye twitch coming on.
  37. >Ignoring that, you sigh.
  38. “Right, well-” you yawn again. “What was it that was /so/ important you needed to talk to me at this hour?”
  39. >Taking a moment to deeply inhale, she exhales slowly, “We’re all going to die.”
  40. >You arch a brow.
  41. “Yeah, and what’s that gotta do with the price of eggs in China?”
  42. >She cocks her head to the side slightly, “What’s a China?”
  43. >That’d be cute if not the current situation.
  44. “It’s nothing. Just, is there anything more you wanted to tell me, or is that it?”
  45. >She flicks her mane out of her eyes, uttering a soft sigh.
  46. >“There is nothing more, just the same old, decaying relic that makes up who and what we are.”
  47. >Her gaze shifts to the floor.
  48. >“But, I had to come tell you, because I know that you’ve been avoiding the truth lately.”
  49. >Incorrect, you’ve been avoiding /her/.
  50.  
  51. >She’s dark and sensitive, with low self-esteem; the way she looks makes every day feel like Halloween.
  52. “Let me get this straight, beside telling me – and everyone else – about dying so much, you just had to come over to my home, break in-”
  53. >“The door was unlocked,” she interjects.
  54. “-BREAK IN before dawn, and all for the sake of telling me the same thing you say every day?”
  55. >She nods.
  56. >That urge for the eye twitch grows stronger.
  57. >“It’s a sickeningly sweet, somber kind of understanding, Anon. It’s befits all living things once they’re /truly/ aware, like I am. Once you come around to it, it’s easier to accept how things actually are.”
  58. >The more she talks, the more those warnings once said come back to haunt you.
  59. >You really should have heeded them better.
  60. “Okay, so… is that all, or are you done?”
  61. >Deeply sighing, she closes her eyes.
  62. >Upon reopening them, her gaze is next to you, like something else is there.
  63. >“We are never done. It’s not until our hearts stop beating, not until our memories fade, not until our bodies are long gone; not until the sun’s final dawn.”
  64. >Oh yes, some of her “poetry”.
  65. >None of that matters, because it’s still WAY too early for this, so…
  66. >You roll over, pulling the blankets back around tightly, grumbling all the while.
  67. >Mere seconds into the lull, her hoof presses into your back, then gently starts shaking you.
  68. >“Wake up.”
  69. >The eye twitch finally comes, strong and swift.
  70. >She keeps shaking you, “Wake up, we’re all going to die.”
  71. >You throw off the covers, sitting up abruptly in a huff.
  72. “Fine, fine! I’m up.”
  73. >With little restraint, you glare at the little somber mare.
  74. >She still has that perpetual look of a kicked puppy.
  75. >“Are you sure?”
  76. >Another eye twitch occurs, just as powerful as the previous.
  77. >Some part of you is stupid, that’s why you never heeded those warnings.
  78. >Today is going to be yet another difficult one with her.
  79. >Just a typical day with her, Miss Eri.
  80. >…
  81. >You whip up a simple breakfast, and while eating, she plods in, head hung low.
  82. >It’s like she’s walking to the gallows.
  83. >At least she’s staying quiet.
  84. >Don’t jin-
  85. >“Eating only prolongs the suffering. Though I suppose it does feed the insects once we die; our bodies returning back to the soil is among the few, real meaningful things we can do in the brief, blink of existence.”
  86. >She heavily sighs, to which you stop mid-chew, staring at her blankly.
  87. >Her eyes search the floor, then herself, “I’m just skin and bone, but I know it will suffice in /some/ manner to benefit another once I leave this gray, dying world.”
  88. >Past experience says not to engage her.
  89.  
  90. >Despite how it goes, you often-
  91. “Yeah, but you’d probably feel better if you ate more, Eri.”
  92. >-are stupid.
  93. >She looks up near you with one eye, the other hidden behind her raven mane, “That would never happen. I remain as a testament to suffering, forevermore.”
  94. >If it wasn’t for her coming around so much, more ponies would actually stop by your place.
  95. >After eating, you work on some chores, and of course, she’s keeping you company.
  96. >“...they just don’t understand, and if they did, they wouldn’t turn a blind eye, and a deaf ear to my words.”
  97. >There’s a /good/ reason for that.
  98. >“It’s why they should be reading my poetry, not ignoring it. That would give them a better grasp on the world.”
  99. >You’ve read her work before; sometimes in boredom, sometimes because she forced it on you.
  100. >Aside from seriously needing a proofreader, the contents of her work is edgy as expected.
  101. >Any part that appears remotely hopeful will always – ALWAYS – turn out to be a veil for her sorrowful and sensitive mind and soul.
  102. >Anon, do not think like her.
  103. >The chores go by quick, leaving little else to do for the time being.
  104. >Every place is closed at this hour, which cuts out any work or shopping.
  105. >All that’s left is to kill time.
  106. >You sit on the couch, and at that exact moment, she pulls out her notebook.
  107. >“On the wisp of the fluttering wings, comes the long call of deadly things.”
  108. >Oh no…
  109. >Kick her out.
  110. >Remember what happened last time?
  111. >It doesn’t matter, do it, anyway!
  112. >Listen, you may be stupid, but you’re not that dumb.
  113. >Are you sure?
  114. >Sh-shut up, brain.
  115. >“Hear them cry out their final song, and know it's time to right the wrong.”
  116. >As she continues to read her ‘work’, you march over to the front door.
  117. “I just remembered that I have something else to do in private, so I’ve gotta have you leave, sorry.”
  118. >You open the door and look back to her.
  119. >She’s by the couch, eyes glued to the floor.
  120. >“Leave?” She shakes her head, “I wish I could… really, I do.”
  121. >The eye twitch manifests again.
  122. “But you can, see?” You wave to the open door, “The door is open for you.”
  123. >“Not that one, the other.”
  124. >You arch a brow.
  125. “Come again?”
  126. >“Death’s door,” she says in a quiet voice.
  127. >Of course…
  128. >“Even if I were to try to die out there, I know I’m not lucky enough.”
  129. >She sighs, “I’m stuck forever in suffering, Anon…”
  130. >This isn’t going to end.
  131. >Think of something!
  132. >A sudden bout of clarity draws a smile across your lips.
  133.  
  134. >Calmly and casually, you walk over to her.
  135. >Then, in a single swift motion, you pick her up and dart back to the door, depositing her on the doorstep.
  136. “There you go. No need to thank me, I know how difficult it can be for you. So now, if you’ll excuse me, I have to-”
  137. >She looks directly into your eyes for the first time today.
  138. “I-”
  139. >She’s staring hard.
  140. “Uh-”
  141. >Her eyes start to water.
  142. “You see-”
  143. >Her bottom lip is quivering.
  144. >Hesitation brews inside of you.
  145. “Er…”
  146. >Her body visibly trembles.
  147. >Do not give in.
  148. >Every muscle tenses up.
  149. >“Anon, are you abandoning me like everypony else has?” she asks in a very soft voice.
  150. >There’s a stirring growing in your chest.
  151. >DO NOT DO IT.
  152. >One tear crawls down her cheek, darkening her already gray coat.
  153. >“I know I’m worthless… you don’t have to tell me. Just, throw me out.”
  154. >Her voice is on the verge of a sob.
  155. >Anon, do not-
  156. >…
  157. >“In the lasting light of the day, so comes the reaper as a stray.”
  158. >Idiot.
  159. >“And despite every little test, nothing could stand against the best.”
  160. >Stupid.
  161. >“Ask not what can be done to stop, but seek out instead the last drop.”
  162. >Brainless.
  163. >“Heed the siren's alluring call, else be blinded before the fall.”
  164. >Her gaze drops from her book back to the floor.
  165. >In the silence, she begins to fidget in place.
  166. >On the outside, you’ve listened quietly.
  167. >Within, you’ve berated yourself.
  168. >Because you gave in.
  169. >There’s just something about ponies, especially her, that somehow make you act against your better judgment.
  170. >Maybe it’s their soft coat, pastel colors, big eyes, or even their plots.
  171. >Despite her not eating much, hers is surprisingly-
  172. “Round.”
  173. >“What?”
  174. >You shake your head, heat briefly flooding your face.
  175. “The poem, I mean. It’s got a round about way of its, er, execution.”
  176. >She nods, “Yeah, it kind of does, doesn’t it?”
  177. >Note to self: censor yourself better.
  178. >You give a quick glance to the clock.
  179. >Somehow, her poetry took up quite a bit of time, and at last, the market is open.
  180. >Now you can be free from her.
  181. >Hopefully.
  182. >…
  183. >You’re walking along, and-
  184. >“There’s no need to hurry there, it’s just going to bring about more pain.”
  185. >-she came along.
  186. >That was unavoidable.
  187. >The market is already fully alive when you reach it.
  188. >Upon seeing you, most ponies give a wide birth.
  189. >“We’re all shambling corpses destined for the grave,” she groans at some unfortunate stranger, who scampers off in a hurry.
  190. >That’s exactly the reason for the space.
  191. >Again, it’s not like you can easily tell her to leave.
  192.  
  193. >Each stall on the list is visited, with its owner giving you a smile.
  194. >Then, they’ll just about fall apart once they see her, with one literally sprinting away.
  195. >You still pay for your stuff, and pretend nothing is wrong.
  196. >“This is awful…”
  197. >She’s been groaning about this place since you began shopping today.
  198. >“Why do we even bother, it’s all so…” She sighs, “Pointless.”
  199. “That’s just you,” you mutter under your breath.
  200. >“What was that?” she asks, head tilted a little.
  201. >Darn it, you thought she wouldn’t have heard that.
  202. >Readily adopting a smile (a shaky one), you roll a hand.
  203. “I was talking about, uh…”
  204. >Think, think, think-
  205. “We should leave soon…?”
  206. >She’s silent for a moment, then nods.
  207. >“Agreed. Everypony has been avoiding me.”
  208. >If you were smart, you would have, too.
  209. >A sigh leaves her, “I wish they wouldn’t.”
  210. >Shaking her head, she starts to plod forward.
  211. >Unfortunately, a mint-green unicorn mare crosses her path seconds after, to which Eri snaps up.
  212. >“You,” she points points at the other mare.
  213. >The mare stops in place, eyes widening rapidly.
  214. >From nowhere, Eri pulls out one of her poetry books.
  215. >“You should read my book; it will relieve you from this nightmare of a lie.”
  216. >“I, um-”
  217. >“Like this poem, for instance,” she says, flipping to a random page, “The sun shines ever so bright, yet it conceals the long night.”
  218. >“I don’t think-”
  219. >“Once it comes in the sorrow, thus ends the cruel morrow.”
  220. >“Wait, please-”
  221. >“Do not deny that truth there, else you suffer in despair.”
  222. >“I DON’T WANT WHAT YOU’RE SELLING!” screams the mare as she takes off full sprint.
  223. >“But it’s free,” calls out Eri weakly.
  224. >She stands there a moment before lowering her head.
  225. >“I should have known that would happen.”
  226. >Some part wants to argue with her.
  227. >That part is stupid.
  228. “Because you freaked her out.”
  229. >You’re stupid, period.
  230. >She slowly turns in place towards you, hoof drawing circles in the road.
  231. >“They’re all ‘freaked out, Anon,” she sighs dramatically. “It’s their fear imprisoning them in the lie.”
  232. >Well, your words went over her head, so that’s good.
  233. >But from how everyone is looking at you two, it’s probably best to get out of here.
  234. >“There’s always more who will give it a chance, though.”
  235. >No, just… no.
  236. >“And with you here with me, we can work on finding those ponies.”
  237. >Quick decision.
  238. “Hey, I’ll be right back. Gotta, uh,” you thumb over your shoulder, “gotta use the bathroom.”
  239. >You don’t give her a chance to reply before walking (jogging) away to a randomly picked building.
  240. >Despite the warning bells going off, there is no way you intend to hang around any longer.
  241. >The last time you helped her was bad.
  242. >Flashbacks of torches and pitchforks intensify.
  243. >…
  244.  
  245. >The second you’re home, you lock the doors and exhale a sigh of relief.
  246. “Glad that’s over.”
  247. >You give a peek out the window, finding no trace of her.
  248. >You work on putting things away.
  249. >All the while, thoughts come about unbidden.
  250. >Like the many descriptors for her, not just from others, but from you.
  251. >A black cloud.
  252. >Black sheep.
  253. >Edgy.
  254. >Emo.
  255. >And even-
  256. >“Anon.”
  257. “What, no. That’s not-”
  258. >You stop mid-sentence.
  259. >Very, very slowly, you turn around.
  260. >Standing in the doorway is Miss Eri., color drained like usual.
  261. >Sneaking a peek around her, the front door locks are still in place.
  262. >Somehow, she always returns to you like a boomerang.
  263. >What did you do to deserve this?
  264. >Easy: you didn’t heed any of the warnings.
  265. >“I couldn’t find anypony who wanted my poetry.”
  266. >No surprises there.
  267. >“But, at least you and I understand the pain of living, right?”
  268. >A cold ball forms in your gut.
  269. >You swallow down a hard lump in your throat.
  270. “Uh, y-yeah, sure…”
  271. >She nods solemnly.
  272. >That went better than expected.
  273. >Any tension immediately vanishes.
  274. >“Anon?”
  275. “Yeah?” you reply reflexively.
  276. >“Please don’t leave me alone again, I don’t know what would happen if you did, but I’m sure it would be terrible.”
  277. >With that, she plods into the next room.
  278. >Of course you didn’t get away with it.
  279. >Any remaining care vanishes altogether in that moment.
  280. >You’re tired.
  281. >Not the normal tired, either.
  282. >It’s her.
  283. >She’s affects you.
  284. >Ignoring that, you finish putting things away, and go flop onto the couch.
  285. >Meanwhile, she’s seated nearby, writing something in her notebook.
  286. >You shut your eyes, tuning much of everything out.
  287. >Despite how bad things may seem, it’s not the worst they could be.
  288. >Such as the fact of your unexpected arrival to this world.
  289. >The ponies have gotten used to you, so life is fairly decent.
  290. >There’s been work for you, and some actual friendships being fostered.
  291. >So yeah, it’s-
  292. >A hoof suddenly presses into your side, gently starting to shake you, “Wake up, we’re all going to die.”
  293. >You crack an eye open at her.
  294. “I’m not asleep, I’m just… thinking.”
  295. >She exhales a short breath through her nostrils.
  296. >“Oh, I thought that maybe you were…” Looking away from you, she sighs, “...never mind.”
  297. >This little mare is going to be the death of you someday.
  298. >That’s terrible to think.
  299. >Is it wrong?
  300. >Yes, because she’s actually great once you get passed the whole edgy exterior.
  301. >In fact, she’s-
  302. >“I thought that you might have sought out sleep to escape the world, like I do. But, that’s inescapable.”
  303. >She never quits, does she?
  304. >Stupid question.
  305.  
  306. >She fidgets for a moment, then picks up her notebook from nearby.
  307. >“I’ve got a new poem for you, Anon.”
  308. >Please, no.
  309. >“I call it, ‘A candle burning in the darkness of Light’.”
  310. “I want to die.”
  311. >“Me too, Anon, me too…”
  312. >There is no end.
  313. >And you’re stuck with her, Miss Eri, forevermore.

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