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The Center

By NHanon
Created: 2022-11-13 14:28:25
Updated: 2022-11-13 14:33:05
Expiry: Never

  1. >At long last, she’s peacefully asleep.
  2. >It took far longer than expected, but then again, she is very special.
  3. >Just noticed the time as well; spent roughly three hours to get her to rest.
  4. >To be honest, it felt much shorter.
  5. >Not that it matters much, only she does.
  6. >After all, she is everything.
  7. >A wistful smile creeps slowly upon your lips.
  8. >It’s born from the the single solitary thought: she is yours.
  9. >And no matter what happens, you won’t let anyone – ANYONE – take her away from you.
  10. >Her barrel rises and falls slowly with each passing breath.
  11. >She looks much happier this way, so beautiful.
  12. >If only she could see that truth for herself.
  13. >Alas, that is a lofty goal.
  14. >But for now, she has you to see her for what she truly is: a wonder.
  15. >As much as you want to stay here with her, there are some other matters that must be tended to.
  16. >You gently close your eyes to withhold a growing pressure inside of your chest.
  17. >Have to hold it a moment or so, least it cause any trouble.
  18. >A slow, careful release of breath, and you reopen your eyes to her sleeping form.
  19. >It’s all that is needed to make it dissipate.
  20. >So long as you have her, these little problems will never amount to anything.
  21. >That’s all you need to know.
  22. >With a small kiss upon the side of her head, you reluctantly leave the room.
  23. >This home will shelter the two of you from all harm.
  24. >It’s in here that the world exists.
  25. >Nothing else exists outside of it.
  26. >Yet sometimes, you have to go out into the nothing, for her.
  27. >A quick check of the fiances shows that everything is in order, just as expected.
  28. >Shouldn’t never need to worry about them, but being careful certainly helps prevent unwanted surprises.
  29. >Next on the agenda is a letter.
  30. >With quill and parchment, you get to work on it.
  31. >Wish writing these were not necessary.
  32. >Wish for a lot of things, too.
  33. >If you didn’t do this however, it would cause… trouble.
  34. >More specifically, certain individuals.
  35.  
  36. >Your writing slows to a crawl as you instinctively clench your teeth.
  37. >It would be better if those individuals weren’t around anymore.
  38. >But if you were to remove them, it would cause far worse trouble.
  39. >Which is why you write these stupid silly little letters.
  40. >Shouldn’t concern yourself further with such thoughts, they’re slowing progress.
  41. >After all, those individuals are nothing.
  42. >Once the task is finished, you take a step out into the void, and set the letters in the mailbox.
  43. >Wait, mailbox?
  44. >That can’t be right, there’s nothing out here.
  45. >Has to be your imagination playing tricks on you.
  46. >After all, it’s just you and her, nothing more, nothing less.
  47. >Back inside is safe, back inside is her.
  48. >You retreat within, and turn your attention to something special.
  49. >Not dinner just yet, but a surprise instead.
  50. >Practiced skill comes easily as you work on it.
  51. >She’ll love this, she always does.
  52. >That’s what your talent is; mending her broken heart.
  53. >In the not so distant past, others said your talent was something else.
  54. >They were liars.
  55. >They were thieves.
  56. >They wanted to keep her away form you.
  57. >Nearly slip with your work at that thought.
  58. >A simple titter uttered recovers enough to correct that.
  59. >Just have to remember that she is yours.
  60. >It took so long for that to happen, too long.
  61. >If it wasn’t for a series of circumstances, she wouldn’t be here with you.
  62. >But she’s safe now, with you.
  63. >A fair bit of time has been invested on this gift, but it is ready for when the time comes.
  64. >Even more so, it was accomplished in a timely manner.
  65. >Not that you expected otherwise, if it’s for her, it’s always perfectly done and on time.
  66. >You return to the bedroom where she is.
  67. >She’s still fast asleep.
  68. >Good.
  69. >It’s not as if she is going anywhere, but there’s always this… thought, that she won’t be there.
  70. >Don’t know why it comes, it shouldn’t exist in the first place.
  71. >There is nothing outside this home, it is the entire world.
  72.  
  73. >And she is at the center of it all.
  74. >Her beautiful raven mane, those rose tinted eyes, and that wonderful ashen coat.
  75. >She’ll see what you see someday, just have to keep reminding her of that.
  76. >Until then, you’ll be here with her, forever.
  77. >For now, you go work on preparing dinner.
  78. >Don’t really need it yourself, but you’ll eat anyways.
  79. >She’s all that you need to live.
  80. >What to make, though?
  81. >Ah, a simple stew will suffice.
  82. >Unfortunately, some of the supplies are low.
  83. >Which means you’ll have to venture out to get some more.
  84. >Which means she’ll be here.
  85. >Alone.
  86. >Without you.
  87. >Feel a slight twitch in your eye.
  88. >Breath, remember her.
  89. >In.
  90. >Out.
  91. >In.
  92. >Out.
  93. >There we go, much better.
  94. >Now then, this meager problem has to be taken care of.
  95. >You won’t be gone long, but…
  96. >A small sigh escapes from your mouth.
  97. >...it hurts all the same.
  98. >Just be quick about this.
  99. >With that thought, you depart out into the nothingness.
  100. >A mess of colors are all around, as well as moving shapes all about.
  101. >All of these things are useless, all of them are fake.
  102. >Because the truth is: they are nothing.
  103. >Some of the forms pass by, some even have sounds.
  104. >Like in a fantasy, none of that is real.
  105. >Thankfully, they don’t slow down your journey in the slightest.
  106. >Long ago, they once did.
  107. >That was before you took her in, though.
  108. >The thought is ignored as you reach the destination.
  109. >This place holds what you need.
  110. >Correction: what /she/ needs.
  111. >After all, you only need her.
  112. >Much like the outside, there are shapes moving about here as well.
  113. >Could have sworn that something called out your name at some point.
  114. >However, it wasn’t her voice, so it doesn’t matter.
  115. >After acquiring the goods, you’re about to leave when a flicker of color from the corner of your eye gives you pause.
  116. >Something about it feels familiar.
  117. >Those colors, they are… dark gray, almost black, and… purple?
  118. >No.
  119. >It’s not real.
  120. >It’s not real.
  121. >It’s not real.
  122. >Ignore it, go home.
  123.  
  124. >With a breath in/out, the color vanishes into a blob like everything else.
  125. >Smiling, you calmly and casually depart off.
  126. >There’s a scratching in the back of your mind as you’re walking.
  127. >Seems more like a voice, or something is trying to get your attention.
  128. >For some reason, you pick up the pace.
  129. >Don’t quite know why either.
  130. >Not important, home is.
  131. >Home is where it is safe.
  132. >Home is where she is.
  133. >Despite that thought, your movements hasten further and further until everything around seems to vanish.
  134. >Things come back into focus; you’re home.
  135. >Once safely back inside, the nothing from outside fades away like it always does.
  136. >The door locks behind you, and a wave of calm washes over you peacefully.
  137. >There are no more sounds from outside, because there is nothing outside.
  138. >The only sounds are from within; this is the world, and she is the center.
  139. >Speaking of which, you go check on her.
  140. >She’s just as you left her, asleep.
  141. >Your eyes travel about her body, landing eventually on her legs.
  142. >Those various marks still adorn them, all from the distant past.
  143. >Life has been, and always was, hard on her for so very long.
  144. >That all changed the day you found her out within the nothingness.
  145. >If was then and there that you realized that your entire life had been a total lie up to that point.
  146. >All of it was a grand charade; a play on the world’s stage, with faceless masses watching on as you acted out your part.
  147. >It was… agonizing to do keep doing that day after day.
  148. >She, much like you, was in so much pain.
  149. >Now she isn’t suffering anymore, nor are you.
  150. >But all of that pain could have been avoided had you acted sooner.
  151. >Does that make you bad?
  152. >No, there was no way of knowing what was going on.
  153. >Yet you acted too late.
  154. >Things were different then, you’re stronger now, you’re-
  155. >-a monster.
  156. >The temperature takes a sudden dive, like a winter storm has descended out of nowhere.
  157. >Even stranger, everything has come to a complete standstill.
  158.  
  159. >You focus on her in an attempt to make sense of things.
  160. >All of her color has faded, and she too is still, almost as if she were… de-
  161. >NO!
  162. >Try as you might, nothing seems to budge; from within, from without.
  163. >Words fail to form in your throat, there’s just a silence.
  164. >Breath.
  165. >C-can’t.
  166. >Breath!
  167. >Ca-…
  168. >BREATH!
  169. >All at once, air rushes into your lungs with such a force that you fall to the ground in a heap.
  170. >Everything so heavy, vision has turned into a blurred mess.
  171. >Don’t give up, she NEEDS you.
  172. >Summoning all that you are, you shakily stand, and find everything back to the way it was.
  173. >She’s asleep, like nothing happened.
  174. >More importantly, she is safe.
  175. >She is alright.
  176. >She is yours.
  177. >Just as it should be.
  178. >Whatever terror occurred never was real, it never is.
  179. >Because like the outside, it is nothing.
  180. >It doesn’t matter how many times the forces from there attempt to draw you back out, it will NEVER be real.
  181. >You take a brief moment to compose yourself, along with a once-over to ensure that everything is place.
  182. >Don’t like episodes like these, but at least they don’t occur when she’s awake.
  183. >They’ll come and go, like always.
  184. >For now, you go work on making dinner.
  185. >The stew comes together slowly, but surely.
  186. >As it nears completion, a sound from the other room reaches your ears.
  187. >Immediately, it’s clear that it’s her that is stirring from her slumber.
  188. >Shortly thereafter, light hoof falls come from the hallway, to which you steal a quick glance; her mane is a bit of a mess, one that draws a smile from you.
  189. >She lets out a small yawn that plucks your heartstrings ever so.
  190. “You’re just in the time, dinner is about to be ready.”
  191. >She takes a seat at the table with a tiny nod.
  192. >“...mmhm.”
  193. >Shortly there after, you finish up, fill two bowls, and join her.
  194. “Be careful, it’s still hot.”
  195. >The corner of her mouth raises slightly.
  196. >“’kay.”
  197. >It’s not much of a smile, but it might as well be a diamond to you.
  198.  
  199. >No, wait, that’s far too inadequate of a description, it’s far more unique and valuable.
  200. >Nevertheless, it’s precious.
  201. “So what do you think?”
  202. >“S’good.”
  203. >Your smile broadens as you continue to eat your own.
  204. >Didn’t really need to ask, but getting her to talk is all the more worth it.
  205. >It’s such things that feeds the joy inside.
  206. “I’ve got something special to show you after we’re done eating.”
  207. >“Oh?”
  208. >You nod eagerly.
  209. “Take care a guess at what it is.”
  210. >“Uh… a song?”
  211. “Indeed. I wrote it while you were sleeping, I think you’ll like it.”
  212. >“I don’t doubt it, everything you make is great.”
  213. >Not as great as her.
  214. >But all the works you create are born from her, as she is your muse.
  215. >She stops goes to take another spoonful, but stops, and her eyes flicker downwards.
  216. >Don’t know what that look is, don’t like it.
  217. >Whatever it is, you need to know right away.
  218. >Because nothing else matters at the moment.
  219. >Your entire attention shifts completely to her, and only her.
  220. “Is something wrong?”
  221. >She shakes her head lightly.
  222. >“No… it’s nothing, don’t worry about it.”
  223. >That isn’t true.
  224. >Did you do something wrong?
  225. >Does she hate you?
  226. >Why is she hiding?
  227. >Is she going to leave you?
  228. >NO, no… just… stop, breath.
  229. >One silent breath in/out, and everything remains in control.
  230. >You reach over and gently touch her wither.
  231. “Hey, you know you can tell me anything, right?”
  232. >“I know, it’s just…”
  233. >She lets out a deep sigh, then lets her gaze go to your face; her eyes glitter slightly in the light.
  234. >“...I can’t thank you enough for everything you’ve done for me. Sometimes it doesn’t feel real…”
  235. >Such an old fear of hers, one that refuses to ever go away.
  236. >It’s nothing that you cannot handle, though.
  237. >You rub her shoulder in a calm controlled manner.
  238. “Eri, all of this is real, and you never have to thank me for it. I will always be there to help you out, no matter what.”
  239. >Not a total lie, yet still, a small one.
  240.  
  241. >So long as it keeps her happy, that it shall persist.
  242. >Her eyes linger on you for a little while longer, then close softly.
  243. >Another moment to keep within the vault of your mind forever.
  244. >As she reopens them, she gives a tiny nod.
  245. >“Yeah, I know you’re right. Thanks anyway, Connie.”
  246. “You’re welcome. But please, eat your stew before it gets cold, then afterwords I can show you the song I made.”
  247. >You let go and the two of you return to eating.
  248. >At the center of everything is Miss Eri, she is yours.
  249. >And for you, Connie Amore, that’s all that is, and will be, in your life.

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