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It's Been a Long, Long Time

By Sunn
Created: 2021-04-25 07:56:32
Expiry: Never

  1. >It perplexes you endlessly
  2. >Baffles you
  3. >Downright near insults you honestly
  4. >This is the third Grand Galloping Gala you've been to
  5. >Ever since Celestia entrusted the party planning to Pinkie and Twilight they've gotten a lot less "stuffy uppercrusts, stuffing their uppercrusts up other uppercrusts" and become more "Huge once a year blowout parties"
  6. >Applejack took over catering and now the food and drink actually tastes like food and drink should
  7. >The best part is that everypony looks a lot happier in the dresses and suits Rarity makes
  8. >It used to be tradition that ponies wear what their ancestor wore a hundred years ago or some other trite like that
  9. >Now you've actually seen some nobles arriving and looking like actual effort was put into their clothes
  10. >It was amazing
  11. >It is amazing
  12. >Or at least, you're pretty sure it's supposed to be
  13. >But you can't get your mind off of one thing
  14. >Celestia
  15. >She's been going to these things since before anyone here was born
  16. >She's the mare host with the most
  17. >The most beautiful gown out of any other
  18. >The most wonderfully preened wings
  19. >The most alluring hair
  20. >The most mesmerising voice
  21. >Even from here you can hear it
  22. >And you're staring
  23. >Again
  24. >Fuck it
  25. >Hopefully somepony had the common sense to spike the punch
  26. >You dunk your cup in the bowl of fruit juice and take a swig
  27. >Thankfully, the drink kicks you in the back of the throat
  28. >Ah, that sweet burning sensation
  29. >Made you feel like you were actually here for a reason
  30. >Even if it was to just empty the food table
  31. >You catch yourself in the reflection of the punch
  32. >Well groomed, well dressed, in the best years of your life, and in the definitive best place you could be
  33. >But you were still a miserable sod
  34. >You dunk your cup in the punch with a little more force this time to distort the reflection and chug what you pull up
  35. >Who cares if your suit gets a little wet now
  36. >If the previous galas were anything to go by, within the next few hours, everypony else was gonna be more liquored up than the village drunkard you'd find in an early Irish novel
  37. >You were just getting a headstart
  38. >Over the rim of your cup she catches your gaze again
  39. >You can't seem to do anything without ending up back where you started
  40. >Staring at the alabaster princess of the sun
  41. >Celestia
  42. >It's like the world had pulled your idea of perfection from the darkest corners of your mind and moulded it perfectly out of clay
  43. >But she just had to be surrounded by ponies every second of the god damn night
  44. >They weren't even doing it right
  45. >Always in front of her with some hunch in their posture to lower themselves
  46. >Never beside her, or sneaking up behind her to give her a well-meaning spook
  47. >They just talk and talk
  48. >Gushing out the same old endless drivel
  49. >"This is a wonderful party, YOUR MAJESTY" or "I'm sure next year will be just as grand if not more, YOUR HIGHNESS"
  50. >Do these fuckers not remember that she has a name or something
  51. >What was in that punch?
  52. >Turning back to your cup, you swish around what little was left of the drink
  53. >Looking over to the punch bowl, you notice that no pony else has touched any of the food or drink there
  54. >Screw it, you’re already tipsy, may as well go full drunk now
  55. >Get the actual party going
  56. >Just as you begin making yourself drunk, it begins
  57. >The music
  58. >The band that played enchanting melodies throughout the night
  59. >Or so they’d been advertised
  60. >Everypony else seemed to be able to get caught up in some magical… thing that you couldn’t feel or probably comprehend honestly
  61. >Dancing and swaying
  62. >Laughing and playing
  63. >It looked like fun, felt like it too
  64. >Every time, you felt something tug at your chest, like someone had wrapped silk string around your heart and was tugging you gently
  65. >But nothing ever came of it
  66. >You tried dancing to one song and just kind of shimmied your feet, swayed your arms and left to get more drunk
  67. >Could be worse
  68. >There could be no reason at all for you to come here
  69. >But every year you’d have at least half the party come up to you at one point and ask you to regale them with stories from your world
  70. >It was pretty easy to blow through your life, but they didn’t have any of the history of your world
  71. >They had none of the myths or legends, the epic fables or crushing tragedies
  72. >Luckily, you had a lot of those in the back of your head
  73. >So there was almost no end to your story-telling
  74. >Speak of the devil and he will come, or you should say devils
  75. >With the band still getting into the zone, you’ve been swarmed by the mob that had finally finished endlessly kissing the dirt Celestia walks on to come bother you instead
  76. >What to tell them this time though
  77. >So much history
  78. >So many pantheons
  79. >So little time
  80. >So few poems too
  81. >You certainly liked them, but only a handful had the sticking power to satisfy you
  82. >Maybe you could change it up tonight
  83. <>
  84. >”Alright ‘my little ponies’ gather round” There was his voice again
  85. >You’ve ruled Equestria for a thousand years
  86. >Had countless artifacts and ruins brought to your attention
  87. >Helped your guards figure out the fickle clues left in the most heinous crimes that you’ve had stricken from record
  88. >Even before you and Luna rose to take Equestria under your wings you’d been an adventurous sort
  89. >Figuring out the mysteries of earth, flight and the arcane
  90. >All while you were too young of course, according to Starswirl
  91. >Yet, out of everything
  92. >He was the most curious
  93. >Sadly, you had little to no free time to start unravelling whatever mysteries he had
  94. >Even when you did, you put it off
  95. >He lived in Ponyville, barely a week went by where something didn’t go wrong there
  96. >What were you supposed to do anyway, go to Ponyville, knock on his door and say “Hello Anonymous, wanna have some tea and chat?”
  97. >You certainly couldn’t invite him up to the royal palace for something so simple
  98. >You’d look like a foal
  99. >Though, the only foals you can see in this party are the subjects who have gathered around him to listen to one of his tales
  100. >They’re not even doing it right
  101. >He’s stood there, awkwardly leaning against a food table, with no room to move his feet or put any physical flare into what he’s going to say
  102. >What he wants to say
  103. >You can tell by his reserved movements he would put on a full play if he could, but your ponies stifle him
  104. >As they do all too often
  105. >Bless their souls though, they never intend to, and he never seems to take offence anyway
  106. >But for filly’s sake, they haven’t even invited him to sit down, and they’ll probably interrupt him with a stupid question that will break the flow of his story
  107. >That was how it always ended with these things
  108. >You’ve never been able to hear a full story out of him
  109. >Buck this, you need something to take the edge off
  110. >Luckily, you found some very old bottles deep in your personal cellar
  111. >A little bit mixed into the punch, well actually, the whole bottle mixed into the punch, and you might actually be able to enjoy this Gala
  112. >And, the table that your little ponies have cornered him in front of, is the table that has your punch and your food
  113. >Why the chefs always insisted on making an entirely separate table for you, baffles you
  114. >It perplexes you
  115. >If you didn’t know any better, you’d feel downright insulted
  116. >As if you’re only here to empty the table of food and drink
  117. >Breathe Celestia, breathe
  118. >Take the stress in
  119. >Crush it in your lungs
  120. >Let it exit you
  121. >At least your ponies won’t take up his time for long
  122. >The band’s started, so they’ll start dancing soon
  123. >”...well ‘my little ponies’-” You can’t help but smirk at that
  124. >You’re almost certain he’s using that as a way to mimic you
  125. >Maybe even tease you
  126. >It is certainly refreshing
  127. >”-this time I thought I’d regale you with a poem from my world”
  128. >You had kept up the air of vested interest in the party as a whole, whilst keeping your ears turned to him
  129. >But now your full attention snaps to where he’s stood
  130. >It was literally impossible to interrupt a poem, it wasn’t a story or a legend that needed context or explanations
  131. >Though you really don’t think your ponies needed to know what “the fire of knowledge” represented or who “Prometheus’” parents were
  132. >Poems were like songs
  133. >You’d have to be either extremely drunk or supremely stupid to interrupt
  134. >You may actually get to hear the whole thing
  135. >This Gala is shaping up to be one of the better ones
  136. >Even if you don’t get to dance with anypony
  137. >Again
  138. >You clear your head as he clears throat
  139. >”Now, how did it start…” You had begun to silently shuffle towards him to make sure you could hear him over the band “...ah yes” Once more he clear his throat and you actually hold your breath
  140. >”Once upon a midnight dreary, while I pondered, weak and weary-” Weak and weary, that certainly describes the tone he’s taken
  141. >Yet it doesn’t feel forced, it’s like you can feel the weight of true exhaustion in his words
  142. >”-Over many a quaint and curious volume of forgotten lore. While I nodded, nearly napping, suddenly there came a tapping-” As if on cue, one of the players on the band, Octavia you believe her name is, lightly struck the side of her cello
  143. >She draws her bow across it, and a deep baritone echoes through the Gala hall, and silences it
  144. >”As of someone gently rapping, rapping at my chamber door. “‘Tis some visitor,” I muttered, “tapping at my chamber door. Only this, and nothing more” ” His voice took on a note of sorrow, ever so feint, but ever so real
  145. >’Tis some visitor’ A story of a man so lost in his works that he could not believe that someone he knew would come to visit him
  146. >That explains the sombre tone
  147. >”Ah-” The sigh he lets out, feels like he’s releasing some weight you can’t see “distinctly I remember it was in the bleak December; and each separate dying ember wrought its ghost upon the floor”
  148. >Not just a man, but an old man, very old
  149. >Having lived enough years to see ghosts in the world around him
  150. >”Eagerly I wished the morrow; vainly I had sought to borrow from my book surcease of sorrow-” His voice has slowly lowered as he tells the poem, as if the very act of speaking the words sapped his strength
  151. >Yet the cello never overrode him, only accented him
  152. >Finally he took a deep swallow, as if to steady himself for more of the tale “...sorrow for the lost Lenore.” His eyes slowly drift up from his cup to the ponies in front of him, “For the rare and radiant maiden whom the angels named Lenore.” His eyes went past your ponies
  153. >And landed on you
  154. >”Nameless here, for evermore”
  155. >Then they swept past you and went to the ceiling, and he seemed to find strength he didn’t know before as he continued
  156. >”-uncertain rustling of each purple curtain. Thrilled me. FIlled me with fantastic terrors never felt before-” He spoke with vigor even as he spoke of uncertainties and the contradiction of fantastic terrors
  157. >Or maybe, not so contradictory
  158. >You had a story or two from your past where you were filled with an odd emotion, fantastic terror, seemed a good fit
  159. >”-Deep into that darkness peering…” Like any great tale, he leaves no room for stagnation in your emotions, as his voice grows sombre again, an edge of fear in his voice
  160. >As though he had transported himself to that dusty old study, surrounded by mountains of books and ghosts upon the floor, only to be struck dumb at the empty hallway that laid behind the grand doors he’d swung open
  161. >”...long I stood there…” You can almost imagine yourself beside him and feel a shiver run up your spine
  162. >His people certainly had a way with words, and he with a way of presenting them
  163. >“...wondering...fearing.” He took a great pause from the poem to slake his thirst and take a breath
  164. >His eyes danced across the room, like he was uncertain which world was the story anymore
  165. >But nonetheless he continued, and spoke of wondrous things
  166. >Terrible, yes, but wonderful
  167. >He spoke of ‘a stately raven of the saintly days of yore’
  168. >Of ‘a bust of Pallas’
  169. >Of ‘the Night’s Plutonian shore’
  170. >And of ‘Nevermore’
  171. >You’re starting to understand why your ponies had such a hard time not asking questions now
  172. >You have to force yourself to swallow the lump in your throat
  173. >Your subjects have an… off look on their faces
  174. >You’d seen it a million times on a million faces
  175. >Faces that were listening, but had stopped hearing a while ago
  176. >They nodded and smiled
  177. >Smiled
  178. >At this poem that told of a man who’d lost all he held dear, took small fancy in a passing bird, and took it as a sign of evil from just one word
  179. >The poem speaks of the man desperately begging the bird to tell him he’ll see his “Lenore” again
  180. >But is told “Nevermore” and nothing more
  181. >”And the raven, never flitting, still is sitting, still is sitting. On the pallid bust of Pallas just above my chamber doors” A very old man, from a very old story
  182. >An old story being told who knows how long after it was first written, who knows how many miles away
  183. >Yet with the way he spoke, Anon said it as if the bird were on that bust, even now
  184. >”And his eyes have all the seeming of a demon’s, that is dreaming, and the lamp-light o’er him streaming, throws his shadow on the floor: and my soul from out that shadow that lies floating on the floor. Shall be lifted. Nevermore!” Anonymous lets out a breath that he’d seemed to be holding for a long time
  185. >As did you
  186. >As did your ponies, and a thunderous applause roared from them, and you
  187. >It’s been a long, long time since a poem and poet had captured you like that
  188. >Curiouser and curiouser
  189. >The light seemed to refill the room as the band picked up their tempo with the next song
  190. >Which caused all your ponies to finally take to the floor
  191. >Which in turn, meant you could finally get a drink
  192. >Maybe not as big a one now, you may not need it to enjoy yourself tonight
  193. <>
  194. >Sometimes you thought if what you felt like when you had them rapt in a story was what it was like to be a father telling his children a bedtime story
  195. >Nearly anything new fascinated these ponies endlessly
  196. >Yet despite the applause or thanks they’d give you for sharing your world with them
  197. >They all just pissed you off
  198. >Cause they were fascinated with you, but ignored the most fantastic thing you’d ever seen in your life
  199. >Celestia, freed from the endless drudgery of paperwork and the banal charade that the nobles called court
  200. >That’s why you were perplexed, baffled, and insulted
  201. >Because even as a new song begins to flow from the band
  202. >Even as everypony has taken a partner to the floor
  203. >She’s been left on the side
  204. >These ponies had the audacity to leave her out of her own party
  205. >Some noble you didn’t care to remember the name of, even had the balls to ask Luna to dance, right in front of Celestia
  206. >You wish a ‘stately raven’ would come in and tell you that you’d come back to this bloody event ‘nevermore’
  207. >But, that would be a lie
  208. >You’d come back every day, if they’d have you
  209. >For the rare and radiant maiden whom the angels named Celestia-
  210. >”For the rare and radiant maiden whom the angels named Lenore”
  211. >God, if you love me, please tell me I wasn’t speaking aloud
  212. >Also, please tell me she didn’t see me spit back up my drink in shock
  213. >”That was such a beautiful poem Anon” Even the way she carefully enunciates each syllable of the word ‘beautiful’ was enchanting
  214. >Breathing deep you steady yourself and turn to her
  215. >Just as you’re about to respond, her ivory fur and feathers overtakes your view and leaves you breathless
  216. >Fuck, another drink
  217. >Another kick in the back of the throat, telling you to man up
  218. “Thank you Celestia, you don’t know how much your praise means” Great, now you were sounding like one of her boot-lickers
  219. >”Oh-ho, and why would that be?” Was that a playful ‘oh-ho’ you just heard from a millenia old sun princess or were you having a stroke “I don’t think my praise should mean any more than my subjects’”
  220. >Oh how you desperately wanted to just say to her face that she was laughably wrong
  221. >But that wasn’t how you needed to play this
  222. >Keep calm
  223. “I respectfully disagree” You hold up a hand before she can interject “I agree that, on most subjects, your opinion would be no more valid than theirs”
  224. >Even if you don’t think it, she sees her ponies as equal, so you should too
  225. “But in the craft of ‘the arts’ I believe your word would hold precedence over others” Her eyes narrow, but her lip turns up slightly
  226. >She carefully floats a drink to her lips, and slowly drains the glass
  227. >Her glass tips to you, a silent invitation to continue
  228. >Time to bring it home
  229. “I mean, how many artists have tried to capture you? The world around you? The history that you’ve lived through?” You nudge her slightly and she chuckles
  230. >The kind of soft, gentle chuckle that you could fall asleep too
  231. >The kind of chuckle you’d cherish if it were yours
  232. “How many of the works of the artists that have gone and are here now, have you praised as ‘beautiful’?” Her smirks turns into a triumphant grin, but you’re not finished
  233. >You hold a finger to her lips and lower your voice
  234. ”And meant it?”
  235. >Her face drops at your words, and you feel like you’ve just stabbed yourself
  236. >You kind of would prefer that right now to seeing her sad
  237. >Slowly, you bring a hand up to her, and gently rest it on her neck
  238. >Entering uncharted waters, need to be careful
  239. “I think i get it though” You pick your tone up a little, in the hopes she’ll respond, in any way
  240. >You let out a sigh when she turns her still down head in your direction
  241. “I’ve seen how they look at you-” Of course, it’s the same way you imagine that you look at her “-and I’ve seen how you look at them, they’re like children to you, so you never want them to think they’re not good enough by telling them to improve”
  242. >She’s now fully raised her head again, and is analysing you with a look you can’t define
  243. “But they’re not worried about not being good enough, they’re worried about not being good enough for you” You begrudgingly release your hand from her face now “That’s why your words meant so much. I felt them”
  244. >She’s regarding you with a silence that deafens the band
  245. >You just put a LOT out there, so you keep a neutral face, you believed every word of what you said, so you’ll keep a strong demeanor, and wait out her silence
  246. >Sadly, being silent makes you thirsty
  247. >With as much poise as you have left, you slowly break your gaze from hers and turn to get more of the drink that, quite frankly, is the only reason you haven’t put a you-sized hole in the nearest wall
  248. >”I felt yours too” Her words break the silence, but thankfully your composure remains and you don’t spit up your drink
  249. “Oh?” This time, it’s your turn to be curious
  250. >”That poem- it- I…” You can’t believe you’re actually seeing this
  251. >Celestia
  252. >Speechless
  253. >Thank you Edgar Allen Poe
  254. >You might have been a weird, weird fucker but you make damn good poetry
  255. >”I could… feel it, every word; the man, his sorrow, the raven… Lenore” She speaks the name the same way you wish you could say hers
  256. >”Who was she do you think?” You hum questioningly over your drink “The poem would indicate a lover but-”
  257. “I always thought old Edgar intended you to take Lenore, to mean whatever relationship was closest to you, or rather, the relationship that meant the most to you” Celestia has now questioningly hummed back at you over her second- no, fourth drink
  258. >Was she trying to catch up to you or something
  259. >Doesn’t matter
  260. >Not important right now
  261. “Perhaps he meant Lenore to reflect the reader’s mother, grandmother, sister or even friend” Celestia’s eyes have gently become half-lidded as she regards you with her attention
  262. >It almost makes you clam up
  263. >But you’re pretty sure your blood is more alcohol than blood at this point so you push through her stare
  264. “We’ve all felt loss… it kills a little piece of you, and takes it with the body you bury, the body you cry over. The Raven is a macabre poem in that sense. Essentially telling us that what was, can never be again”
  265. >Jeez, you were trying to sound philosophical, not depressed
  266. >But you couldn’t stop the words
  267. >It’s like her eyes pulled them out of you
  268. >Like the very act of trying to cover up would cause some wound to take you
  269. >You see a sparkle begin to dance in her eyes as she goes to speak
  270. >”Princess Celestia!”
  271. >Only to be interrupted
  272. >By the purple purveyor of posh pony parties herself, Twilight Sparkle
  273. >”Twilight Sparkle! It’s wonderful to see you” You can’t help but wince as Celestia’s eyes light up with joy just at her student’s voice
  274. >You quickly drown your envy in more liquor
  275. As the glass leaves your lips you greet your new guest “‘Sup Twiggles?”
  276. >And immediately smirk at the looks you get
  277. >Twilight flashes between indignant anger and embarrassment
  278. >You’ve gotten good at translating facial expression into english- ponish, whatever
  279. >She’s currently saying “Seriously? Seriously!? In front of Celestia?”
  280. Your returned smirk says “Why yes, in front of Celestia, how did you know?”
  281. >You’re surprised to see Celestia fighting back the snickers that escape her nose
  282. >That earns a raised brow from you, and a utterly shocked look from Twilight
  283. >”I- I’m sorry Twilight but… Twiggles?” Celestia has to stop herself from bursting with laughter
  284. >However, the shake of her head causes some liquid to spill, alerting you and Twilight to the cause of her behaviour
  285. >You look to the bowl and find it half empty
  286. >Oh fuck, were you boring her THAT much
  287. >”Celestia are you… drunk?” Celestia responds to Twilight by shaking her head and coughing slightly
  288. >Oh yeah, drunk and in denial
  289. >But she’s holding it like a pro
  290. >”Celestia… Anon, what nickname would you make from that?” The sun princess sloppily turns to you with a doe-eyed, half-grin
  291. >You’re caught slightly off-guard by that
  292. >You also see Twilight, making motions across her neck with both wings and forehooves
  293. >Oh alright Twiggles, I won’t nickname your boss
  294. >In front of you
  295. “But Celestia, Twiggles is such a nuanced nickname” Twilight slams her face into one of her hooves at your comment
  296. >Celestia meanwhile nods at you with a face you can only describe as “child trying to understand taxes”
  297. “It was built over years of knowing her, I couldn’t do someone like you the disservice of nicknaming you with nothing to go on” Celestia seems to sober up significantly for a moment, before downing the rest of her drink and nodding at you
  298. >”That makes sense. I would like to speak to you again, if time permits, but…” Celestia slowly lets one of her wings glide out to indicate towards Twilight
  299. >You simply nod in response
  300. >She takes that as her cue and turns to Twilight and begins trotting away
  301. “Don’t keep her up too long Twiggles, she has court tomorrow”
  302. >Twilight shoots you one last glare that screams “Shut! Up!”
  303. >You simply laugh to yourself and take another drink
  304. >If time permits
  305. >Fancy speak for no
  306. >Yep
  307. >You flubbed it
  308. >Looking to the half-empty bowl of booze your mind gets an idea
  309. >A wonderfully, stupidly, drunk idea
  310. >If you flubbed it
  311. >Why not just go all out and fuck up entirely
  312. >Liver, I’m sorry old friend
  313. >Fuck you too, buddy
  314. >With that last comment from your organ you begin refilling and emptying your glass quicker than you ever have before
  315. <>
  316. >What is wrong with you
  317. >You were having a great time talking with him
  318. >He was giving you insights you hadn’t heard in centuries
  319. >None of the nobles were so open with you
  320. >But then he started talking about familial relations and losing them
  321. >The way his eyes shifted
  322. >It was like a wounded animal, desperate to hide away in a dark corner
  323. >He spoke from experience
  324. >Your only real memories were of Starswirl and Luna
  325. >You were going to ask him if losing a figure that was like a second father, or losing a sister that was returned to you could be used in the context of “Lenore”
  326. >Then that would have hopefully opened up pathways to more discussions
  327. >But you didn’t talk
  328. >At all
  329. >He talked
  330. >And your nerves got the best of you and you began emptying the bowl
  331. >You don’t want to imagine what he thinks of the “refined princess Celestia” after he saw her get, to use the vernacular of the common pony “sloshed”
  332. >At least that same drink is stopping you from feeling bad about it right now
  333. >What really pains you though was when you asked for a nickname
  334. >Starswirl always used to say you were just a filly playing grown-up
  335. >You guess he was right
  336. >Then Anon said about how he had nothing to go on for you
  337. >Of course he didn’t
  338. >You’ve basically ignored him since he got here
  339. >Luna’s been able to spend time with him in his dreams
  340. >The disgusting speck you call envy slowly rears its ugly head
  341. >You go to drown it, but then remember that your cup was empty
  342. >Sadly with Anon still stood there and Twilight taking you through the Gala, you can’t get a refill
  343. >At least the servants are carrying drinks through the crowd
  344. >It’s much lighter than you’d need to feel it, but at least it’ll stop your throat from being so dry
  345. >You call on your magic and hover three glasses over to you
  346. >They’re down you quicker than lightning and you return them to the tray
  347. >With a small bow you thank the serving pony and continue on with Twilight
  348. >She’s giving you a weird look
  349. >But then again, you can’t really blame her
  350. >You don’t exactly advertise this side of yourself anymore
  351. >How you wish you could though
  352. >Back when you and Luna ruled over the Everfree it wasn’t uncommon at parties for nobles to try and test their might by trying to drink one or both of you under the table
  353. >None of them ever got close, it was more for you and Luna’s entertainment really
  354. >Oh well, Twilight’s probably gonna get drunk enough to forget she ever saw you drunk to begin with anyway
  355. >Speaking of drunk
  356. >Anon seems to be the only one other than you who’s partaken
  357. >The thought of him makes you turn your head back
  358. >He hasn’t moved
  359. >Was he going to stay there the entire night
  360. >He came in, hugged his friends, greeted the returning nobles, and then went to the table
  361. >But he hasn’t moved an inch since
  362. >He’s simply nursing another glass, and several of the treats
  363. >Well, at least you won’t be enjoying them alone
  364. >Though you do see a few of your ponies narrowing their eyes at him
  365. >It isn’t even your table, they all just insist it is
  366. >Like there’s an unspoken rule that a pony should go hungry instead of take from that specific table
  367. >Oh, he’s already nursing another drink
  368. >It’s gone and then there’s another
  369. >Maybe you should stop him
  370. >You know how good this particular liqueur tastes
  371. >You also know just how damaging it can be to the liver of the uninitiated
  372. >Before you can turn around, Twilight introduces one of the ‘honoured guests’ of the night
  373. >A noble of Griffonstone
  374. >Oh, goody
  375. >Looks like you’re not actually going to get a break from being a princess tonight after all
  376. >He’s prattling on about something to do with land that he doesn’t know anything about
  377. >Because his fellows haven’t bothered to keep political or historical documents in decades
  378. >Then something about bits
  379. >Didn’t happen the last twenty times he asked
  380. >Not happening this time either
  381. >Just because it’s a Gala doesn’t mean you’re gonna be in a suddenly generous mood
  382. >Pfft, ‘noble’
  383. >From that slag heap they still called a capital
  384. >WHOA
  385. >Bad thoughts get locked in the thought box in the back of your mind
  386. >Thank you booze, you’re actually making this tolerable
  387. >As you breathe out you see his beak twitch a little
  388. >Oh
  389. >It’s on your breathe
  390. >Actually, it’s kind of funny
  391. >Every breath you take makes his beak twitch
  392. >Two quick, small puffs
  393. >Two quick, small twitches
  394. >One long exhale
  395. >One long scrunched up face
  396. >Damn it Celestia, focus
  397. >Or better yet, somepony get you out of this mess
  398. >”CELESTIA!” The words are joined by a pair of hands suddenly squeezing your sides
  399. >You nearly take to the air with how high you jump, and the elderly griffon isn’t much better
  400. >Turning on a bit, you look to find the perpetrator and find Anonymous
  401. >Laughing like a hyena, completely doubled over and clutching his sides like they’re about to burst off
  402. >His laughter is a little infectious and you join in a little
  403. >The look on that old bird’s face is priceless
  404. >You’d like to join him and double over yourself
  405. >But you keep it contained to a light-hearted chuckle
  406. >Gotta keep up appearances
  407. >Even when drunk
  408. “Hello Anonymous, are you enjoying yourself?” You simply get a stifled chuckle in response
  409. >Slowly he recomposes himself and straightens up
  410. >Only to point at you and double over again
  411. >”This is the best party I’ve ever been to” He barely gets the word out through his laughter
  412. >He ought to make this more interesting
  413. >Slowly, you wrap a wing around him
  414. >He briefly goes stiff but loosens up and relaxes into your feathers
  415. You guide him to your side and point your other wing to the griffon in front of you “Anonymous, this is-”
  416. >“Hello! My name is Anonymous!” Quickly stepping forward, Anon grabs one of the griffon’s talons in both hands and shakes it vigorously “And, You! Are a VERY large bird!”
  417. >You have to cover your face with a wing to hide the fact you’re desperately fighting back your laughter
  418. >Twilight has gone stock stiff, her jaw on the floor
  419. >”Oh! Hey, buddy, you gotta try this stuff, it’s de-licious” The griffon is stood, stuttering as his eyes dart between you and Anon
  420. >You tower over basically anything that isn’t on two-legs, and Anon is at eye-level with you
  421. >Having just you imposing over him is one thing
  422. >Having an alien, just as tall as you, drunk out of their skull and offering him a drink though
  423. >Whole different level you imagine
  424. >You realise that the griffon’s been staring at you for a few second
  425. “Oh, yes, it really is an excellent liqueur, chosen by myself actually” Clearly not the answer he wanted
  426. >With a forced smile, he hesitantly takes the drink from Anon’s hand, and languidly brings it to his beak
  427. >As soon as it crosses onto his tongue he pulls it back and fights back a gag
  428. >He tries to sputter out some explanation about how he can taste it, when most of what he put in his beak is now on your shoes
  429. >”Oh, quit belly-aching” Again, you have to desperately stifle your laughter “Me and Celly have been chugging this stuff, you don’t hear us whining”
  430. >Now the griffon’s beak is on the floor, and Luna’s has come over to check the commotion
  431. >She looks between Twilight and the griffon, then Anon, and finally you
  432. >Of course, she immediately knows you’re drunk and smirks
  433. >You’re not gonna hear the end of this for a few months, are you
  434. >Totally worth it
  435. >Just as the griffon begins to regain his composure and talk to Anon, brass horns blare through the hall and begin playing a melody
  436. >Anon’s legs nearly gives way at the tune, and he uses you to stabilise himself
  437. >His head darts back and forth, he rubs his ears and checks his fingers
  438. >Quickly, you wrap your wings around him
  439. >You’re about to ask him what’s wrong, but the biggest grin he’s had all night comes on his face
  440. >”The last time I heard this song was back home” You’re shocked into silence at his words
  441. >It’s not impossible that your ponies might have accidentally created a replica melody of a song from his home
  442. >But it’s just so improbable
  443. >Before you can get a word in he looks to you and conflict rages behind his eyes
  444. >Gritting his teeth, he turns his head up, and downs the rest of his drink in one gulp
  445. >Shoving the glass towards the griffon he grabs you by the sides and turns you to face him
  446. >”Celestia, do you want to dance?” A trepid smile graces his lips
  447. >Your face reflects his
  448. >How long has it been since someone asked you that
  449. >Out of your peripherals, you can see both the griffon and Twilight about to object
  450. But you silence them “I love to dance”
  451. >His face breaks out into another huge smile and he begins escorting you to the dance floor
  452. >”Don’t worry Twilight, I’ll bring her back in one piece” He then leans down to your ears and whispers a word just for you “Mostly”
  453. >It sends a tingle down your spine
  454. >Wait a minute
  455. >You haven’t danced in a millenia, you don’t remember how
  456. >You’re gonna make a fool of yourself and him
  457. >You need more of that drink
  458. >The bowl’s empty
  459. >Did he drain it all
  460. >Before your mind can wander, his hand rests on your chin and pulls your gaze back to him
  461. >Oh, you forgot what it was like to have someone look at you like that
  462. >It’s like he said, your ponies were like your children
  463. >Seeing any of them, even the fully mature or older ones in any other way just felt wrong
  464. >The other races were fine, sure, from a subjective standpoint
  465. >But this alien was entirely new
  466. >Tall and muscular like the mino, yet also willowy and lean
  467. >You’re about to thank him for saving you, but he’s not focused on you
  468. >His eyes are turned up just a little, glazed over slightly, like he’s somewhere only he can go
  469. >His lips mouth words in perfect sync with the rise and fall of the trumpets and trombone
  470. >You don’t know how, but you think he was telling the truth
  471. >This really is a song he only knew from his world
  472. >But you’d never heard this composition once in your life
  473. >The initial opening ends and the trombone takes the centre of the quintet
  474. >”Never thought that you would be” The notes drip through the air, as thick and delicious as the liqueur, and he harmonises with them as his eyes finally come back to you “Standing here so close to me”
  475. >You’re both gently rocking back and forth, his hands gently at the sides of your chest “There’s so much I feel that I should say” Slowly, his hands creep down your back, and go under your wings “But words can wait, until some other day”
  476. >You’re chest to chest, and face to face with him now, his cool breath washes over your face and down your neck
  477. >You loved the smell of that liqueur
  478. >”So kiss me once-” That causes your heart to stop briefly “then kiss me twice” He’s not broken his gaze “Then kiss me once again” Slowly he leans his head down
  479. >But rests his cheek against yours “It’s been a long, long time”
  480. >”Haven’t felt like this, my dear” His voice is low, you’re sure only you can hear it
  481. >An entirely new melody being played, and you’re one of only two who know the words to perfectly match the notes
  482. >”Since can’t remember when, it’s been a long, long time” Weak and weary again, like before
  483. >The weight of his words, of some exhaustion he had in him comes flowing out with the words and you start to feel the weight
  484. >You don’t want the weight, so you put more into your movements, and the weight glides off your back
  485. >He follows your lead, and keeps in stride with you as you both glide across the dance floor
  486. >You don’t know how your ponies are reacting, and you don’t care
  487. >They’re not getting in the way of the one dance you’ve had in millenia, and the band hasn’t stopped, that’s all that’s important to you right now
  488. >You want him to tell you the rest of what this song means to him
  489. >What it should mean to you
  490. >”You’ll never know how many dreams I’ve dreamed about you” His words are right in your ears
  491. >He’s definitely not singing for you, but to you
  492. >”Or just how empty they all seemed without you” Slowly, you pull your cheek back, and he turns to meet your gaze again
  493. >One of his hands pulls out from your wing and cups your cheek, while the other lightly scratches your side just right
  494. >You purr at the physical attention, and the words
  495. >”So kiss me once” He’s getting closer again “Then kiss me twice” His nose is an inch from yours “Then kiss me once again, it’s been a long, long time”
  496. >He stops singing, and you want to tell him to keep going
  497. >If he stops, the song ends
  498. >You don’t want that, you want to catch up on a thousand years of dancing, and never stop
  499. >But the song is ending, you can tell, the band has picked up the tempo for the final blare of their horns
  500. >And he hasn’t moved an inch
  501. >His eyes are burning into yours, silently asking a question you don’t have the answer for
  502. >Or at least, you don’t think you do
  503. >The horns pick up, it’s now or never
  504. >Whatever “it” is
  505. >You twitch towards him and he does the same
  506. >The final blare rings out, and you take the plunge
  507. >Your lips clash
  508. >Then
  509. >Nothing
  510. >You were told it’d be like fireworks
  511. >But there are none
  512. >There’s no anything, just a void
  513. >Your ponies are gone, the party is gone, the band is gone
  514. >But the music lives on
  515. >As do you and Anonymous
  516. >The only two in this endless nothing
  517. >Drifting through darkness and music
  518. >His lips press against you with a silent hunger
  519. >Each time they shift, it’s like he’s feeding the words of the song to you
  520. >It’s wonderful
  521. >Your eyes are shut tight
  522. >If you open them, the void goes away
  523. >You return to the party, to being ‘Princess’ Celestia
  524. >Why can’t you just be Celestia
  525. >Why can’t you just dance with him for a thousand years to this song, over and over
  526. >It’s beautiful
  527. >But sadly, you both need to breathe
  528. >So you do pull away
  529. >Your eyes remain shut though
  530. >Until you feel both his hands cupping your cheeks
  531. >In his drunken state, his clothes have become a bit ruffled and he’s constantly tilting back and forth
  532. >The wings you’ve wrapped around him are seemingly all that’s stopping him from collapsing
  533. >You don’t even remember pulling him this close
  534. >But you like it
  535. >You don’t know what reaction you’ve gotten from the Gala
  536. >Honestly, it’s the furthest thing from your mind right now
  537. “Anonymous” Even in his drunken state, he smiles when you say his name “Would you like to drink some chat and tea?” That was probably broken, but who cares, you’re drunk
  538. >”I’d love that” His smile is gentle and warm
  539. >Wrapping a wing around him, you and he slowly make your way to one of the doors that leads out to the gardens
  540. ”Kiss me once” You slowly repeat the words as you approach the doors “Then kiss me twice” Anon wraps his arm around your neck and rests his cheek on yours again
  541. >”Then kiss me once again”
  542. >The cool night air chills you and him enough to sober up slightly
  543. >He nestles closer into your wing, and you, into his torso
  544. “It’s been a long, long time”
  545. >”It’s been a long, long time”

The First Day

by Sunn

Last Immortals

by Sunn

Breaker of Day

by Sunn

The Eris Plan

by Sunn

A Lifetime of Dreams

by Sunn