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Incest- Thirsty (Applejack) by Anonymous

By OniiChansFables
Created: 2020-10-26 19:01:38
Expiry: Never

  1. >It's been a long while since you've seen your children
  2. >All you really know is that they've been being looked after by their great-gram
  3. >Wasn't your first choice
  4. >But you were far too young when you had your first
  5. >You really should have stopped at your second
  6. >And then years later you slipped up and had a third
  7. >That was the final straw, really
  8. >You and Scrumpy both tried your hardest
  9. >But you were too young to properly look after your kids
  10. >Life was hard
  11. >And things started being said that ought never have been said
  12. >You heard she was married now
  13. >Living in the big city
  14. >Changed her name to Marmalade or something
  15. >And while it had been a long time
  16. >You never could quite forget your kids the way she had
  17. >Having missed so much of their lives already
  18. >You didn't want to miss any more
  19. >So one day you sent a letter out to the farm
  20. >Asking granny if maybe they had a spare room you could stay in
  21. >Practically begging to help out around the place if it meant you could spend time with your family
  22. >And to your surprise
  23. >They said you'd be welcome
  24.  
  25. >So with a couple of bags packed with the bare necessities you took the train out to their small town
  26. >Followed a few simple directions to find the farm
  27. >And there it was
  28. >A picture of idyllic rural beauty
  29. >The house, the barn, the fields of crops and the famous apple trees
  30. >Sweet Apple Acres
  31. >And as if stepping out of your memory, leaning against the gate was your teenage love
  32. >Long blonde hair
  33. >Thighs to die for
  34. >Tanned skin speckled with freckles
  35. >And a rough-and-tumble country-girl demeanour
  36. >She smiles as you approach, and your stomach does somersaults
  37. >But as you draw closer you recognise your mistake
  38. >Her skin looks just a touch darker
  39. >Her hair just that little bit more blonde
  40. >And of course, most obviously, eyes that are green and not blue
  41. >"Hi there, sugar!" comes the call
  42. >"We've been expectin' a visitor to roll up our drive any moment,"
  43. >"I'm guessin' you're the sweetheart that wrote Granny askin' to help out around here?"
  44. >"Real nice a' ya'll, given how growin' season's just endin' and we always bite off more'n' we can chew getting every crop in on time."
  45. >"You must be beat carryin' your bags all this way. C'mon, give 'em here and i'll show you where you'll be stayin'."
  46. >She doesn't quite give you the chance to get a word in
  47. >Simply hops the fence, strides straight for you and grabs your bags, oozing confidence in every motion
  48. >And while your eyes tell you this has to be a girl in her late teens, she seems to have the world right where she wants it
  49. >That self assurance makes her seem like she must be early twenties at least
  50. >This can't be your daughter
  51. >Can it?
  52. >Those glances you steal at her firm, denim-clad buttocks as she leads you up to the farmhouse can't be that horribly wrong
  53. >... can they?
  54. >Your gaze lingers on those ample hips as they sway up the path to the front door
  55. >Perhaps just a slight bit too long
  56. >Because when she turns back to you, she has the suggestion of a coy grin playing about the corners of her mouth
  57. >Not to mention the knowing look in her eye
  58. >It could just be your imagination
  59. >Maybe you snapped your gaze up in time
  60. >"Don't speak much, do ya'?"
  61. >Desperate to break the ice, you chuckle like a nervous teenager
  62. "Might be I would if you let me get a word in edgeways, darlin'"
  63. >For a moment, she looks at you with a blank look in her eyes
  64. >And then her mouth explodes into an infectious smile, a musical laugh of her own
  65. >"Ain't I just been the most overbearin' hostess?"
  66. >"Dragged you all the way up the garden path without even lettin' you answer all the questions i've been firin' your way!"
  67. >"So, have I got it wrong? Don't tell me, you're just a lost tourist whose bags i've made off with?"
  68. >For a moment you're tempted to play along
  69. >Make up some reason why you were wandering a country lane looking for your hotel
  70. >But you decide against it
  71. "No, you've got the right of it. I wrote to granny asking if I could help out this harvest, and she said the house had room for me."
  72. >Your guide is still all smiles at that, opening the door into a cozy kitchen and leading you to a set of narrow stairs
  73. >"Shoot, Sweet Apple Acres always has room for a hand that wants to work, sugarcube."
  74. >She talks away as you ascend to a corridor with a number of doors along it
  75. >As far as you can make out, this floor has six rooms
  76. >Your irrepressible guide knocks on the one closest to the top of the stairs
  77. >"This here is the bathroom. The rule is knock before entering, easiest thing in the world to remember."
  78. >"That over there-"
  79. >She points to the door furthest from the stairs
  80. >"-is the guest room where you'll be staying."
  81. >"Every other door is somebody else's room, so just be considerate."
  82. >"Now, unless your journey was really exhausting we already have work for you to be doing."
  83. >"So whaddaya' say, pops, need an afternoon nap to recover, or are you raring to go?"
  84. >At 'pops,' your stomach gives another, slightly more unpleasant lurch
  85. >You realise that you've been suppressing your suspicion that this might be your daughter
  86. >You worry that she might already know
  87. >Might have caught you out
  88. >Might hate you
  89. >But at the same time, if she's not...
  90. >Well, getting to know your kids is the real reason you're out there
  91. >Better men than you have been tempted by less
  92. >So you ought to try and make a good impression, just on that chance
  93. >You're still in your early thirties for chrissakes
  94. >And not in bad shape at that
  95. >Can't let her think you're ancient
  96. "Just give me a second to set my bags down, and i'll be ready to go."
  97. >She beams
  98. >"Knew we'd snagged a hard worker," she says, handing you your bags. "I'll be waiting down by the door in the kitchen."
  99. >You smile, nodding your thanks as you move to squeeze past her on the stairs
  100. >When suddenly she's right against you
  101. >You can feel her breasts, barely constrained by her button-up blouse pressing against your chest
  102. >Your back is right up against the bannister
  103. >Her hair tickles your nose and her warm breath reaches your ear as she leans in to whisper
  104. >"Take your time and hit the shower first, eh sweetheart? I don't mind, but if you're distracted all afternoon we won't get half the work done."
  105. >And with that, she slips downstairs, and you can breathe again
  106. >Holy fuck
  107.  
  108. >You need that shower
  109. >You cross the landing in a few short steps
  110. >Crack open the guest room door
  111. >See a simple double bed, a couple of low tables, a stout desk, wardrobe and a set of shelves with some tasteful knick-knacks on
  112. >It's pretty tasteful, actually
  113. >Comfy
  114. >But you have something else on your mind
  115. >Quickly rifling through your bags, you snatch up your towel and nip back across to the bathroom
  116. >Hanging up your rag, you slip out of your shirt and pants
  117. >You catch a quick look at yourself in the little face-mirror
  118. >Broad shoulders
  119. >A respectable amount of definition
  120. >And green eyes burning in a square-jawed face
  121. >Your thoughts immediately go to the country beauty that met you
  122. >Those fine, tanned legs
  123. >That powerful frame
  124. >And those full, firm C-cups she pressed right against you to whisper confidentially in your ear
  125. >As you jump in the shower and the water starts to run, you imagine what they must be like to squeeze
  126. >How they must taste
  127. >What their nips must look like
  128. >And your mind racing for inspiration, you think back to another country girl
  129. >It's been almost two decades
  130. >But you still remember how hard she rode you on your parents' bed
  131. >They were away for the weekend and you had the place to yourself
  132. >You still remember how hormonal teenage lust drove you to pump her fit, flat belly full of your seed
  133. >Is it the shampoo, or can you still smell her?
  134. >She smelled of apples
  135. >And when you kissed you could taste the cider she'd lifted from her family's stores
  136. >You can see her right in front of you
  137. >Her mouth lolling open
  138. >Her gasps and moans filling the room
  139. >Her lively green eyes meeting yours as she comes in for another kiss against the bannister
  140. >And you're done
  141.  
  142. >You take a moment to clean off
  143. >Switch off the water
  144. >And as you dry off, you fancy you hear a stair creak
  145. >These old houses always sort of gave you the creeps
  146. >You throw your clothes back on, and slip out of the bathroom
  147. >Heading down the creaking stairs, you see your guide at the kitchen table
  148. >Still waiting
  149. >Is it your imagination, or does she look a little flustered?
  150. >Probably your imagination
  151. >It's running pretty wild today
  152. "Didn't keep you waiting too long, did I?"
  153. >Her lips purse, and for the briefest moment looks about as if expecting to see someone peeping in through a window
  154. >And before you really even have time to analyse this shift in tone, she's back to her cheerful self
  155. >"Not at all, buckaroo. Ready to head out? Still not too late to reconsider if you're too feeble for it."
  156. >She teases you with a grin, and you return it with a smirk of your own
  157. "So long as you carry me to wherever we'll be working, sweetheart, i'll be fine."
  158. >She snorts
  159. >"Not a chance, darlin'. You got legs, time to use 'em."
  160. >With that, she leads you out of the house and towards the apple orchards
  161. >You banter back and forth as she points out landmarks to help you find your way during your stay
  162. >And at one point, she even mimes carrying you
  163. >Though you're pretty sure that was just her excuse to cop a feel
  164. >And after maybe twenty minutes walk, you come to a grove of trees with a cart already half-full of apple bushels
  165. >You aren't wondering who filled it long
  166. >Because when your partner calls; "Hey Mac! I brought the hand out!" a tall young man lumbers into view
  167. >There's no mistaking him
  168. >With his broad shoulders
  169. >His square jaw
  170. >Those green eyes
  171. >And even his name
  172. >That's your son
  173. >He drops his cargo of apples down in the cart
  174. >Looks you up and down with a shocking intensity
  175. >Stares right into your face
  176. >And turns away, back to his work
  177.  
  178. >The sweet country girl elbows you in the ribs, jostling you amicably
  179. >"Don't mind Mac," she says
  180. >"He doesn't take to anybody right away."
  181. >"Let me show you how we bring in the crop."
  182. >She walks you up to a tree with low-hanging fruit
  183. >"Now, just ta' demonstrate, a'fore we take any apples from a tree we got to check they're ripe."
  184. >Standing behind you and pressing her chest against your back, she guides your hand to one of the lowest sitting apples
  185. >"To test, you've got to cup the fruit gently," she murmurs, posing your hand beneath the apple
  186. >"Lift it just a touch," she breathes, and you know there's no way she doesn't know what she's doing, "And just give it the slightest lil' twist."
  187. >"It should come pretty easily," she says huskily, "But if it's not ready we gotta' keep from using so much force that we damage the poor things."
  188. >And sure enough, having been led through those simple movements, you now have an apple in your hands
  189. >She pulls away, and is instantly businesslike
  190. >"Just pull down as many as you can for now, if any are bruised store 'em away from the others. We can eat those, but they don't store."
  191.  
  192. >It's long hours of hard work in the hot early-autumn afternoon
  193. >Little Mac isn't so little any more
  194. >And even though he seems to be giving you the cold shoulder, you can't help but be proud
  195. >He's an obvious hard worker, and looks fitter and healthier than pretty much anyone else you've ever seen
  196. >And no amount of sullen silence can take that feeling from you
  197.  
  198. >Just as the evening starts to draw in, darkening the sky, the three of you finish filling the cart
  199. >You're about to ask how it moves when Big Mac heads to the front to grab one of two jutting handles
  200. >Your sweet country lass moves up to the other, and you follow behind curiously
  201. >She turns to you
  202. >"Now, seeing as how it's your first day, sugarcube, why don't you ride up there with the ap-"
  203. >Big Mac interrupted her by placing one of his large hands on her shoulder
  204. >He shakes his head emphatically, nods at her, and jerks his thumb back to the applecart
  205. >He looks straight at you, points, and then indicates the other handle
  206. >She gives him a look of real bafflement for a moment, as if this kind of action is uncharacteristic
  207. >Almost as if he almost never exerts his will like this
  208. >But after a moment, she shrugs
  209. >"Well, if you say so."
  210. >"Mac says he thinks you two big strong men oughta' give me a ride back to the barn, and who am I to complain?"
  211. >She gives you a half apologetic and half provocative look
  212. >"So long as you're up for it?"
  213. >With such a challenge issued, you can't back down
  214. "'course i'm up for it."
  215. >You take up your half of the cart, and set off towards the barn
  216. >Mac handles the cart like it's nothing, barely breaking a sweat
  217. >While you, not being used to this kind of farm work, have to live with your muscles screaming at you every step of the way
  218. >It takes every single ounce of your will not to make a sound as you push yourself to keep up with your son
  219. >And when you reach the homestead and stow the cart, he looks straight at you one more time before retreating into the house
  220. >As soon as he's gone, you allow yourself to collapse onto the straw-covered barn floor, chest heaving as you pant to recover your breath
  221. >Your pretty cargo hops out of the cart and is at your side in seconds
  222. >"Lord sakes, pops, if you were this beat you oughta' just said you weren't up to it,"
  223. >It hurts to laugh, but you do anyway
  224. "Couldn't let him embarrass me,"
  225. "Besides, we had to deliver the princess to her castle."
  226. >You chuckle painfully, and she looks down at you as if she can't quite believe you would dare to be that corny
  227. >And then bends down to give you a quick kiss on the lips
  228. >It's short, but sweet - even if her long hair does tumble down into your face
  229. >"There you are then, brave knight. One lady's favour."
  230. >"But get up off the floor for chrissake. It's filthy"
  231. >Having had a few moments, your breath is well and truly back
  232. >You're still reeling a touch from the kiss
  233. >Even if it was only given in jest, she seems to be signalling her interest pretty hard
  234. >God, you really hope she's just another helper like yourself
  235. >Could it be your boy was hoping she and Mac could be a thing, and that's why he's been giving you the third degree?
  236. >No
  237. >Your flirting can't have been that obvious, surely
  238. >But if not that, did he recognise you?
  239. >He was far and away the oldest when you had to give them all up
  240. >He'd have the best, clearest and most current picture of you in his head
  241. >The girls' memories would be patchier
  242. >Whatever the case, you'd have to clear the air with him at some point
  243. >"Y'alright down there, pardner?"
  244. >Your companion nudges you in the side with one of her big boots
  245. >Not quite a kick, but not quite... not
  246. >"Look like you're wrestlin' with the meanin' of life or somethin'."
  247. >"I weren't kiddin' about the floor being twenty shades of awful."
  248. "Yeah, sorry, was being a bit of a drama queen, wasn't I?"
  249. >She grins as you stagger to your feet, mostly recovered from your ordeal
  250. >"Drama king, maybe, but I know worse examples. Just wanted to remind you you've got a nice bed upstairs, don't have to rest in the stables like some head of cattle."
  251. >"Get some rest, sugar, you've earned it, but keep an ear out for the dinner bell. Shouldn't be long."
  252. >She borderline-pushes you over towards the house, sending you on your way with a slap on the rump
  253. >At this point, you're too tired to argue
  254. >You clamber up the stairs and hear water going in the bathroom
  255. >It's probably Mac making the best of it after a long day's work
  256. >Fine by you
  257. >You could do with a lie down more than a shower, right this minute
  258. >Opening your room's door, you go to collapse on the bed
  259. >-only to find that somebody's already in it
  260. >Three persons, to be exact
  261. >A gang of girls in their early teens are going through your things
  262. >And for a moment you're not sure exactly how to respond
  263. >More than just a moment, actually
  264. "What's this about? Why are you guys going through my stuff?"
  265. >They all look at you like deer in the headlights
  266. >And for almost ten whole seconds, none of them have an answer
  267. >Not the tanned one with a bright purple dye-job
  268. >Not the pale one with the platinum-blonde mop
  269. >Or the middle-ground with bright red hair and a bow
  270. >The dye-disaster is the first to speak up
  271. >"Well, mister, we were just checking to see you weren't bringing anything dangerous into the house."
  272. >The pale one rushes to collaborate, voice twanging adorably
  273. >"Yeah! You can't be too careful, you know? What if your bag had been tampered with?"
  274. >You're not quite sure, but you reckon there's some irony there
  275. >But the bow-clad ringleader speaks up eventually
  276. >"'sides, it's a project for school. We awl gawtta find an unexpected talent, and baggage handling is as unexpected as we could think'a!"
  277. >You groan
  278. >It's really not worth fighting them over
  279. >And you're a guest here
  280. "Look, whatever, just... leave my stuff alone, hey? Respect of people's privacy is a two-way street, and i'm not about to barge into any of your rooms."
  281. >The three sort of just look relieved that you're not shouting
  282. >With a muted look amongst themselves for consensus, they dash for the door
  283. >Possibly worried that you might consider them for more significant reprimands if they stick around
  284. >"Sorry, mister!"
  285. >"Sorry mister."
  286. >"Sorry, mister."
  287. >Just like that, they're gone
  288. >And you're free to crash onto your rumpled bedding

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