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My Little Slaves - Chrysalis 2

By SiM-Orphans
Created: 2020-12-03 06:26:05
Expiry: Never

  1. 1.
    Chrysalis Domination pt. 2 - After Lunch
  2. 2.
    GRENADIERAPPLE
  3. 3.
  4. 4.
     
  5. 5.
    Posted on Apr 8th, 2014
  6. 6.
    Copied on Apr 15th, 2014
  7. 7.
     
  8. 8.
     
  9. 9.
    >evening
  10. 10.
    >or as close to evening as it gets in Nightmare Moon's kingdom, anyway
  11. 11.
    >you've finally finished rounds in the neighboring villages
  12. 12.
    >you had to put down a minor skirmish in San Palomino, that took some time
  13. 13.
    >the green mare leading the opposition showed some promise though
  14. 14.
    >maybe she'd try to lead a siege on the castle; you loved it when new "heroes" came to break themselves against you
  15. 15.
    >you leave that little hope in the back of your mind as you make your way down to Chrysalis' dungeon
  16. 16.
    >as you pass the empty cells, you hope stuffing her like you did wasn't lethal
  17. 17.
    >it would be a shame to have her die before you discovered what all she could do
  18. 18.
    >then again, a creature that can't follow your orders or survive its punishment isn't worth keeping anyway
  19. 19.
    >the two guards look shaken as you pass them, reaching for the door
  20. 20.
    >one salutes and unlocks it, but neither look in if they can avoid it
  21. 21.
    >a quick scan tells you why
  22. 22.
    >the platter you'd left with her is barren
  23. 23.
    >instead, her stomach bulges at the middle, pulling her whole body forward to strain against the chains holding her forehooves up
  24. 24.
    >that's not half as interesting as what lay on the ground before her
  25. 25.
    >a pile of blue orbs, dripping in a thin green liquid, each egg a little bigger than your fist
  26. 26.
    >she looks at you dazed and struggles to pull herself more upright, but with a groan she sags back to her slouch
  27. 27.
    >"Urp... please.. no more... food... mercy..."
  28. 28.
    >her face looks pale again
  29. 29.
    "For a creature who can't feed on meat or fruit, you sure packed away that tray of stuff,"
  30. 30.
    >you reply, approaching the pile in front of her
  31. 31.
    "What's all this though? Trying to hatch a few helpers while I was out?"
  32. 32.
    >she watches as you reach down and pick one of the pale blue things up, wiping the green sludge off of it
  33. 33.
    >you look it over, turning it about and holding it up to the light
  34. 34.
    >"I could not help it... you forced me..."
  35. 35.
    >she whines, still looking a little ill
  36. 36.
    >that sounds dangerously like an accusation to you
  37. 37.
    >you toss the egg back and forth between your hands, now that you've gotten a feel for the weight
  38. 38.
    "You must be mistaken. All I forced you to do was make the choice between a belly full of food"
  39. 39.
    >you reach forward and pat her bulging gut for emphasis, rubbing it with one hand
  40. 40.
    "and a belly full of lead. Never said anything about laying eggs."
  41. 41.
    >she watches as you chuck the blue shell over your shoulder
  42. 42.
    >it lands on the dungeon floor with something between a crunch and a splat
  43. 43.
    >nothing in her face changes, so you reach down for another egg, crushing it under your fingers
  44. 44.
    >for a Queen willing to risk her life but not her army's, she doesn't seem to care about your casual infanticide too much
  45. 45.
    >then it hits you
  46. 46.
    >these are probably barren, if she's been hanging here without interaction for almost a week
  47. 47.
    >you restrain your facepalm and stand back up, looking into her eyes
  48. 48.
    "Well, no matter. I'll have them sent down to the kitchen and you can have a nice omelet for breakfast tomorrow."
  49. 49.
    >that earns you the look of revulsion you were hoping for
  50. 50.
    >you summon a guard, and set him to the task of collecting the changeling's futile attempts at a brood
  51. 51.
    >when he leaves for the kitchen, you order him to return with a barrel of apples and a prisoner
  52. 52.
    >under your breath, you tell him to choose one marked for execution
  53. 53.
    >that way, you reason to yourself, if things go south all you've done is saved the effort of tying another noose
  54. 54.
    >when he's on his way, you turn back to the queen and approach once more
  55. 55.
    >you can tell she's still itching to sink her teeth into you
  56. 56.
    >but now it's at least tempered with a bit of caution
  57. 57.
    >she doesn't need to say a word, you recognize progress when you see it
  58. 58.
    "So... it's been a bit. Where were we?"
  59. 59.
    >you tap your finger on your chin, trying to remember
  60. 60.
    "Oh, right. You were giving me reasons not to turn you and your hive into a delicacy for the gryphon chancellor and his entourage who'll be visiting next week."
  61. 61.
    >you hold your hand out, offering her the chance to speak.
  62. 62.
    "Come up with anything?"
  63. 63.
    >"I..."
  64. 64.
    >she looks you over, but this time it's not like a wolf sizing up a deer
  65. 65.
    >more like an artist taking in her subject
  66. 66.
    >there's a flash of green flame, and suddenly you're looking into a mirror
  67. 67.
    >well, a funhouse mirror
  68. 68.
    >she's managed to miss some of the finer details on your armor
  69. 69.
    >and you're sure you don't look THAT fat
  70. 70.
    >well... you have been sharing more cupcakes with Pinkie lately...
  71. 71.
    >but still, there are subtle differences that tip you off quickly
  72. 72.
    >"I can be your double. Take on the tasks you are disinclined to tackle yourself."
  73. 73.
    >you ponder that a moment
  74. 74.
    >it would be nice to spend more time on your own tasks
  75. 75.
    >patrols and enforcement take up a lot of your day
  76. 76.
    >but you shake the thought from your head
  77. 77.
    >the guard comes back with the food you requested, and you roll the barrel of apples up to where Chrysalis-as-you is hanging
  78. 78.
    >you pop the top and grab a single fruit, taking a bite from it as you wave a hand across your throat
  79. 79.
    >she reverts to her black, overstuffed form
  80. 80.
    >you take a second bite before stuffing the rest in the changeling's mouth
  81. 81.
    >she whines like a scolded dog as it touches her tongue
  82. 82.
    "Nice thought, but my job's not bad enough that I'd delegate it to you or anyone else. Eat it and then try again."
  83. 83.
    >she just lets out a hiccup as tears form at the corner of her mouth
  84. 84.
    >you sigh, exasperated
  85. 85.
    "What, again? Do it or I'll have the guards feed you the whole barrel."
  86. 86.
    >she sniffles but bites down, chewing another chunk
  87. 87.
    >you'd think she was trying to swallow sandpaper, the way she struggled with it
  88. 88.
    >but after five agonizing minutes, she gets it all down
  89. 89.
    >her gut gives an ominous rumble as she pants, struggling to come up with another use for herself
  90. 90.
    >"I...I can..."
  91. 91.
    >she bathes in green fire again
  92. 92.
    >Celestia, or at least a chubbier approximation, is in chains before you
  93. 93.
    >"...pleasure you..."
  94. 94.
    >she practically whispers
  95. 95.
    >hmm...
  96. 96.
    >now that's a bit more like it
  97. 97.
    >you pick up another apple, but step close enough to get a good look at the pudgy copycat
  98. 98.
    >there were still some minor details off
  99. 99.
    >your fingers brush her neck; no tight black collar around it
  100. 100.
    >they pull through the waving corona of her mane; she's still wearing her crown
  101. 101.
    >you circle behind her and trace your palms down her sides
  102. 102.
    >not as thin as you know her to be
  103. 103.
    >you squeeze her waist and she lets out another little "urp" of discomfort
  104. 104.
    >but as your hands sink into her soft, pliant assflesh, it's indistinguishable from the broken mare upstairs
  105. 105.
    >you spread it apart, admiring the... craftsmanship, we'll say, of that powdery white ponut
  106. 106.
    >as you come back around to her front, she follows you with her eyes, now looking more earnest than afraid
  107. 107.
    >pressing one hand on her inner thigh, you lean in close, inspecting her shimmering eyes, flush cheeks, flattened back ears, pouting lips...
  108. 108.
    >she makes her move suddenly, lips mashed to yours
  109. 109.
    >you feel her straining into the kiss like she'd been without affection for months
  110. 110.
    >you don't break it immediately
  111. 111.
    >it's definitely not how Celestia does it
  112. 112.
    >far more tongue (it's reaching for your tonsils)
  113. 113.
    >but it's certainly not unpleasant
  114. 114.
    >it's only when you feel that familiar slipping sensation around your temples that you stop
  115. 115.
    >you open your eyes and meet Chrysalis' green orbs with a look that completely encapsulates the actual words:
  116. 116.
    >'...really? Again?'
  117. 117.
    >backing off, you wipe your mouth with the back of your hand
  118. 118.
    >"I... sorry? I didn't mean to--"
  119. 119.
    >you backhand her in mid sentence
  120. 120.
    >holy shit, was there something in her saliva?
  121. 121.
    >the tips of your lips and top of your tongue feel cool, almost numb, like too much mint
  122. 122.
    >under different circumstances, admittedly, you'd like that
  123. 123.
    >not when she's trying to cast some sort of spell on you though
  124. 124.
    "Okay, we're done here. Guards, fetch the whip. Obviously we--"
  125. 125.
    >"No! No, please! I can do more, I just... I lost control for one second! I NEED some love, and you won't give me ANY!"
  126. 126.
    "So the smartest course of action is to directly disobey me?! What the hell even is that spell?"
  127. 127.
    >she's sobbing now, but you don't doubt she can cry on demand if the need suits her
  128. 128.
    "Answer me you fucking roach!"
  129. 129.
    >she hiccups, tears spilling onto the dungeon floor
  130. 130.
    >the guard comes trotting up, a coiled whip in his mouth
  131. 131.
    >you snatch it from him and begin to unwind it, circling to her back
  132. 132.
    >"Please, I'm sorry! Really I am! I'll never try to touch your mind again!"
  133. 133.
    >...
  134. 134.
    >that stops you in your tracks
  135. 135.
    "Touch my mind. You have a spell that lets you manipulate peoples' minds?"
  136. 136.
    >"Yes! How do you think my people force others to give us their love?!"
  137. 137.
    >you wind up and snap the whip, the blow landing across her shoulders
  138. 138.
    >she lets out a hiss of pain, fresh tears rolling down her face
  139. 139.
    "And you thought you could use it on me?!"
  140. 140.
    >you snap it again, and a thin line of green runs down her back
  141. 141.
    >again, and the line on her shoulders was an X
  142. 142.
    >"T-tell me... you w-w-wouldn't... do the ssssame."
  143. 143.
    >she doesn't bother trying to turn and look at you
  144. 144.
    >you bring the stinging weapon down again, this one leaving a lash near her rump
  145. 145.
    >you hate that she's not wrong
  146. 146.
    >so you channel that hate into another swing
  147. 147.
    >she howls this time, but apparently she's resigned to her fate
  148. 148.
    "...Why didn't you lead with 'I can make people my puppets', if you're so fucking good at it?"
  149. 149.
    >you puff a little; you really need to stick to that exercise regiment
  150. 150.
    >a few good swings shouldn't take this much energy
  151. 151.
    >"Because it w-worked... ssso well on y-you..."
  152. 152.
    >you ought to give her another lash just for having the gall to be sarcastic
  153. 153.
    >but the implications of having a puppet master in your employ are starting to catch up to you
  154. 154.
    >you glare at the back of her head, then coil the whip up around your arm
  155. 155.
    >making your way to the door, you beckon the prisoner in
  156. 156.
    >the guards shove the terrified stallion through the door and slam it behind him
  157. 157.
    >what a bunch of cowards
  158. 158.
    >at the sight of the thing chained to the floor and ceiling, the stallion starts trying to back away
  159. 159.
    >he doesn't know what she is, but he knows danger when he sees it
  160. 160.
    >you drag him back to a place in front of the love-tick
  161. 161.
    "This is your last chance."
  162. 162.
    >both of your captives look terrified
  163. 163.
    >you look over at the grey pone
  164. 164.
    >he has a pickaxe cutie mark
  165. 165.
    >but stranger things have happened, so you lean in and ask anyway
  166. 166.
    "Do you know how to juggle?"
  167. 167.
    >he shrinks back, looking terrified, before resigning himself to his punishment as he shakes his head
  168. 168.
    "Good."
  169. 169.
    >his eyes snap open in surprise as you turn away from him
  170. 170.
    >you pull three apples out of the barrel and roll them over to him
  171. 171.
    >he almost has his mouth around one before you speak
  172. 172.
    "Touch those before you leave the room, and I'll make YOU eat the whole barrel."
  173. 173.
    >that threat's been working really well today, you think
  174. 174.
    >pointing at him with your thumb, you stare up at her
  175. 175.
    "Show me a juggling act worthy of the Wrangling Brothers."
  176. 176.
    >there is no sign of negotiation anywhere in your voice
  177. 177.
    >there is no hint of doubt as to what the alternative is
  178. 178.
    >she gulps and screws up her concentration, a wisp of green light flowing from her horn to his ears
  179. 179.
    >sweat pours down her face as she forces him to his feet
  180. 180.
    >you can see him struggling to move his hooves anywhere else
  181. 181.
    >but slowly, mechanically, he gathers the red fruit up
  182. 182.
    >he tosses one into the air, then another, catches the first
  183. 183.
    >it's like watching a robot play catch with itself
  184. 184.
    >the stallion almost manages to pull away at one point
  185. 185.
    >but a flash of green and he's back to doing her will
  186. 186.
    >you throw a fourth apple at him without warning and she incorporates it into his act
  187. 187.
    >the same with a fifth
  188. 188.
    >she even gets him to take a few bites as they arc through the air
  189. 189.
    >eventually he's tossing nothing but cores, still in perfect rhythm
  190. 190.
    >now that, you muse, is something worth reporting about
  191. 191.
    >you clap slowly, looking over your shoulder at the straining queen
  192. 192.
    "Enough."
  193. 193.
    >the grey stallion drops to the floor in mid-toss like a lifeless marionette
  194. 194.
    >the apple cores scatter every which way, one landing in his purple mane
  195. 195.
    >Chrysalis looks to be on the verge of fainting
  196. 196.
    >slapped around, stuffed full, whipped... she's had a rough few hours
  197. 197.
    >you'd almost feel bad, if it wasn't entirely her fault those things had happened
  198. 198.
    "How many can you control at the same time with this?"
  199. 199.
    >"...I have not tried but three. Given time, I--"
  200. 200.
    >you hold up a hand, and she goes silent
  201. 201.
    >and here you thought she'd never learn
  202. 202.
    "Can you hear what they hear? See what they see?"
  203. 203.
    >"So long as I keep them near."
  204. 204.
    >you nod, turning a few ideas over in your head
  205. 205.
    >a spy that can manipulate other spies
  206. 206.
    >you smile at the thought of goading a mare like Bonded Courage into trying to face you using her friends as puppets
  207. 207.
    "...and your whelplings from the caves?"
  208. 208.
    >she hesitates, knowing you won't like the answer
  209. 209.
    >"They are loyal to me with their very lives, but they do not share my powers of control. Only illusion."
  210. 210.
    >disappointing, but all information is good information
  211. 211.
    >you sigh, and she stammers a bit
  212. 212.
    >"B-but! They can be made to look like anypony! Surely you could find a use for them!"
  213. 213.
    >even after today, she still gives a shit about her subjects?
  214. 214.
    >you might have to bring Celestia down to meet this pone
  215. 215.
    >show her how real rulers behave
  216. 216.
    >you settle for a nonchalant shrug
  217. 217.
    "We'll see. Oh, can you cast your spells while changed?"
  218. 218.
    >she nods eagerly, transforming into a pink alicorn you don't recognize, her matted purple hair fluttering as the same ill-looking green magic she'd used before flowed from it
  219. 219.
    >you smirk and she transforms back, not needing your order to do so
  220. 220.
    >you pace a few more minutes, thinking about other uses for her
  221. 221.
    >a groan from near the door stirs you from your pondering
  222. 222.
    >the grey earth pone is awake again
  223. 223.
    >you look over at Chrysalis
  224. 224.
    >her mouth is actually watering as she watches him climb to his hooves
  225. 225.
    "The fuck did you do?"
  226. 226.
    >you look down at the dazed pone, who just shakes his head as you frown at him
  227. 227.
    >he meets your gaze cautiously, then looks around, stammering as he realizes he's in trouble
  228. 228.
    >"I... I don't... huh?"
  229. 229.
    >you reach down and pick up the core in his mane by the stem, dangling it in front of him for him to see
  230. 230.
    "Didn't I tell you not to touch these?"
  231. 231.
    >he can't even seem to get sounds out anymore, just moving his mouth incoherently
  232. 232.
    >you shake your head, acting disappointed that he can't follow such a simple instruction
  233. 233.
    >maybe when you first arrived here, you'd have felt bad about this sort of deception
  234. 234.
    >but seeing as how he was on the chopping block either way, you can't be bothered to show him too much sympathy
  235. 235.
    >picking up the lead to his neck clasp, you pull him over to where Chrysalis stands, tying the leash to the spreader bar
  236. 236.
    >to his credit, he at least waits until you're done tying to try pulling away
  237. 237.
    >"Wait... please, I. I don't... I didn't want to..."
  238. 238.
    >you roll your eyes and point at the changeling
  239. 239.
    >she's almost too enraptured with him to notice you talking
  240. 240.
    "Told you, that was your last chance. She listened, so maybe you should stay here and learn from her."
  241. 241.
    >you look up at her
  242. 242.
    >you still don't quite get how the whole "love eating" thing works
  243. 243.
    >but judging from the look on her face, he'll do
  244. 244.
    >you take the precaution of shortening the chains on his hooves
  245. 245.
    >no sense letting her mind-control him into a position where he could let her out
  246. 246.
    >you make your way towards the door, considering how best to word your memo to the Boss Mare
  247. 247.
    >as you shut the door, you catch a bit of their conversation.
  248. 248.
    >"Hello, little one. What is your name?"
  249. 249.
    >Ah... uh... Diggin' Bones...?"
  250. 250.
    >"A strong name for a handsome stallion... tell me, Diggin... who do you love?"
  251. 251.
    >you shut the door behind you
  252. 252.
    >yeah
  253. 253.
    >you may send a guard in with a mop before you meet with her again tomorrow
  254. 254.
    >one less noose to tie

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